‘I absolutely LOVE Carmen McCrae. She shows us that singing jazz doesn’t always have to be ‘pretty’. Jazz can be raw and gutsy sometimes too.’
‘Maybe you could say my ‘moment’ or calling came with my discovery of composition! Writing music is now what drives me the most as a musician.’
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I don’t think it was ever a conscious choice. I just sort of knew that’s what I loved to do. I think I love jazz specifically because it can be such an interactive musical medium. The coolest things can happen totally by accident and with the right combination of musicians it is heaps of fun!
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‘…it was a bribe from my music teacher that got me singing jazz, as he said I could only sing with the Jazz Combo if I played sax in it too…’
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“I also think that the best inspiration comes from experimentation and the element of surprise, which is why I like arranging songs on the spot with a band.”
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‘…what I really loved about the musicals was the songs. I fell in love with all the Gershwin, Berlin, Porter, tunes from those movies and stumbled across an Ella Fitzgerald CD somehow, recognised all the songs from the musicals, and after hearing Ella sing them, I just fell in love with the songs even more…’
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Joshua Kyle answers our Q&A as part of our regular feature with finalists in the National Jazz Awards at Wangaratta Jazz Festival
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French singer Cyrille Aimée answers our Q&A as part of our regular feature with finalists in the National Jazz Awards at Wangaratta Jazz Festival
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In 2009, extempore journal spoke to five Australian jazz musicians, asking them all the same set of questions… Kristin Berardi, Vince Jones and Katie Noonan were in the group we interviewed and this year all three of these outstanding Australian musicians are opening the Melbourne International Jazz Festival with a gala concert called ‘The Way …
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“I started writing lyrics to instrumental tunes as a way to practise writing original songs. I was struggling writing melodies and lyrics at the same time so I started doing them independently, then really enjoyed the challenge of matching these existing melodies to lyrics.”
