The 17th annual Australian Jazz Bell Awards acknowledged and applauded excellence of creativity, recording, performance and presentation of jazz in Australia.
Tag: Jonathan Zwartz
One of the aspects I have always enjoyed in Wilson’s music is his impressionistic side – even though a player who resonates with the deep history of the art form, he never baulks at going where the music takes him, whether an un-jazz place or not.
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Over the 10 day duration of the festival I’d encountered orthodox jazz rhythms, experimental jazz and music that you could argue was not jazz at all. Had I selected a different schedule of artists, I may have had a totally different festival experience altogether, such was the variety of shows on offer.
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Swailing is as free as This is Always is restricted; it is as open as the quartet recording is closed. Swailing is the magpie, picking from electric Miles, Massenet and Fats; This is Always is the osprey, its eye fixed on the one prize.
And both are deliriously beautiful for all of these qualities and more.
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His sound is dark and it has a grain and an edge, except when he plays in a soft burble or croon. It can bark and crack with a brittle edge, yet all of it is done with tone, with timbre. His lines are full of invention, expressed in melody and in abstract shapes.
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‘…cued by Komunyakaa’s use of multiple voices, Evans assembled discrete bands for each piece, including no less than 11 different lead singers, plus Michael Edwards-Stevens reading some poems as spoken word with musical accompaniment.’
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“Even at their softest, smokiest, most meditational or sensual this band keeps the form strong.”
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‘ …stunning debut from a vocalist-composer who I’m sure we’re going to hear a lot more from in the future. A wonderfully realized, collaborative effort by an outstanding ensemble headed by a gifted vocalist.’
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Like many great artists, singer songwriter Tina Harrod, continues to push boundaries and blaze a path of her own.
