One of the aspects I have always enjoyed in Wilson’s music is his impressionistic side – even though a player who resonates with the deep history of the art form, he never baulks at going where the music takes him, whether an un-jazz place or not.
From the media release The Australian Art Music Awards finalists have been announced. Among them (of course) are a number of Australian jazz musicians and organisations … Award for Excellence in Jazz Alister Spence and Myra Melford for Everything Here Is Possible Andrea Keller for the creation, release and presentation of three contemporary jazz projects …
Over the 10 day duration of the festival I’d encountered orthodox jazz rhythms, experimental jazz and music that you could argue was not jazz at all. Had I selected a different schedule of artists, I may have had a totally different festival experience altogether, such was the variety of shows on offer.
Swailing is as free as This is Always is restricted; it is as open as the quartet recording is closed. Swailing is the magpie, picking from electric Miles, Massenet and Fats; This is Always is the osprey, its eye fixed on the one prize.
And both are deliriously beautiful for all of these qualities and more.
His sound is dark and it has a grain and an edge, except when he plays in a soft burble or croon. It can bark and crack with a brittle edge, yet all of it is done with tone, with timbre. His lines are full of invention, expressed in melody and in abstract shapes.
‘…cued by Komunyakaa’s use of multiple voices, Evans assembled discrete bands for each piece, including no less than 11 different lead singers, plus Michael Edwards-Stevens reading some poems as spoken word with musical accompaniment.’
“Even at their softest, smokiest, most meditational or sensual this band keeps the form strong.”
‘ …stunning debut from a vocalist-composer who I’m sure we’re going to hear a lot more from in the future. A wonderfully realized, collaborative effort by an outstanding ensemble headed by a gifted vocalist.’
Like many great artists, singer songwriter Tina Harrod, continues to push boundaries and blaze a path of her own.
My brother, Carl Mackey, a sensational saxophonist, and I, grew up listening to the sounds of jazz. When everybody else was listening to Molly Meldrum’s Countdown in the 1970’s we were listening to John Coltrane’s ‘Countdown’. My father gave me John Coltrane’s 1957 album, ‘Rise and Shine’, aged 8, and this transformed my life…