Reviews

Album review: Eamon Dilworth – Viata

Each of the nine pieces are more settings than compositions, or even improvisation – settings for Dilworth to express this idea of viata/life, and his reaction to it. Many of the tunes on ‘Viata’ have a European dissonance, a Bartokian slipping in and out of key and tone – not exactly dissonance, more the stretching of the envelope, a very human thing, tying it to the universality of the blues.

REVIEW: I Hold the Lion’s Paw – Abstract Playgrounds

I heard something of Miles’ ‘Big Fun’the first time I played I Hold the Lion’s Paw’s ‘Abstract Playgrounds’.There, in the opening track ‘(outtakes from the)’ is that same soupy mix, the same muddy rhythms, as if primeval matter, inchoate, is ever-so-slowly coalescing into form. There is an urgency and drama inherent in that opener, as it carefully leads the listener in: what directions this music will take is a wide-open question.

Yes, follow Cheryl Durongpisitkul through the red ash

I don’t know how much distance there is between Carla Bley and Frank Zappa, but Cheryl Durongpisitkul covers it with ease. And, however helpful references and namedropping might be to describe a sound, it is mostly just noise. Because, the loudest, clearest, most assertive voice here, is that of Cheryl Durongpisitkul herself.