“I’m interested in all sorts of music and looking for brothers and sisters outside the jazz area to work with, using the suite as a connecting force,” says Steve Sedergreen. “We are not going to reproduce the Far East Suite but we’re certainly going to play in the spirit of the Far East Suite.”
“For this project I felt like it wouldn’t be fulfilling for the audience or musicians if we just attempted to play Bjork’s music the way she has produced it, especially for a jazz festival! There has to be something fresh, intriguing, experimental or risky involved for it to make sense to me. I guess this is what we will strive towards presenting some amazing music that we all know and love with a new perspective and sound and room for everyone involved to get their individual voices across.”
“While we are both very different players, I think we both are similar in the fact the we like to approach improvisation with honesty and aim to be ourselves at all times. We are also both drawn to the same kind of repertoire and inspired by similar artists.”
“Festivals are great opportunities to create different kind of experiences,” Chelsea Wilson explains. “A lot of jazz venues in town do not have the stages or infrastructure to be able to do something like that, so were very fortunate to have Chapel Off Chapel as a festival hub this year; it has lots of space for the bands to explore.”
“The Singh & Blanes duet is more about romanticism and flashbacks to a more romantic time, while my own solo work is about my intricate thoughts and emotions; it’s all about me being by myself, in solitude. It’s a bit more personal and reflects my individual take on the world. Then my jazz project is about my compositional ability and my fluency on the piano”.
Those who saw the Shaolin Afronauts last year shouldn’t expect the sequel to be just a repeat of the original. “We didn’t want to repeat anything that we had used; we wanted this to be a completely new experience for the listener”, says Ross McHenry. “This time, we’ve actually written a lot more new material; we’re working towards a new album so it was a bit of an opportunity to ‘try some new material”.
AJN: Some think that a tribute to Vince Jones is long overdue and that the jazz community should gather and honour your contribution. What are your thoughts on that?
VJ: Give me a few more years to write some more songs before any tributes.
“ATM15 is my vehicle for original material, experimentation and doing whatever the hell I want”
“My first thought when I took over the role was that I want people who think they don’t like jazz to discover it in new ways, in new formats”.
Though the impact that the new social media habits may have in the jazz scene hasn’t been adequately documented yet, there is a rather safe assumption to be made: you know that a gig went well, when the participants are willing to take a backstage selfie. The photo in question appeared on Fem Belling‘s instagram …