“Often songs disappeared from theatrical shows for bizarre reasons, or shows closed because they were eclipsed by another show on Broadway that had the ‘it’ girl in it. Life is often completely random and beautiful songs often fall into obscurity. I like to find them.”
The Melbourne Jazz Roots Festival marks a welcome addition to the annual jazz festival calendar
“SUM is me, who I am as an artist and human being; it has my flaws and strength,” says drummer and composer Steve Belvilus, talking about the signature soul-jazz-RnB sound he has created.
Melbourne jazz fans rejoice – on 28 April, in line with the Jazz Day celebrations, the city will become home to the all-new, all-sparkling Jazz Roots Festival.
“It’s my aim to transport each audience to a bar in Montmatre, or a scene in a Truffaut movie for a short while!”
“My singing has helped me to create more lyrical stories when I’m playing the piano. Instrumentalists cancertainly get comfortable running changes, and singing has really taught me to slow down and be more aware of melody.”
“What I noticed most about the London jazz scene is just how large it is. But it is a city home to just over eight million people, so that is to be expected. This obviously leads to more competition, and unfortunately, musicians undercutting fees. It made me realise that we have a very unique and wonderful jazz scene in Perth – and Australia in general. Everyone is very supportive of each other in Perth, and musicians here know the base rate expected for performances/functions.”
– Which song reminds you of your favourite journey?
– My favourite journey is life – bit heavy, I know – and I reckon ‘The Best Things In Life Are Free’ is a massive favourite….
“For many many years I worked long hours and studied and did not participate in any of the creative activities I often heard the call to begin. Call of the Wild is about the call that never leaves you, a constant gentle reminder of better ways to spend your time.
Many of the songs from this album were written in the car on the way to my day job; one was written while I was folding the washing, another while I was cleaning the house. The melodies came to me when I was stuck in domestics or the inescapable necessities of daily life.”
The Bowie Project is not a tribute – it’s a thesis; it’s a product of research and analysis. Rudegeair dived deep in the Bowie universe, took the songs, stripped them down to the bare essentials, analysed their components and took each element and presented it under new light.