In a series of performances in partnership with the Melbourne International Jazz Festival, the NGV comes alive after dark with the eclectic sounds of jazz during this season of NGV Friday Nights. The late-night art and music series runs alongside the NGVs Melbourne Winter Masterpieces exhibition MoMA at NGV: 130 Years of Modern and Contemporary Art from 15 June to 5 October 2018 at NGV International. T
Chris McNulty is delighted to present the first series of An Evening of Vocal Jazz Artistry in Melbourne, Australia. Twelve stunning vocal musicians paired together to present a set each over six incredible nights/weeks
Hers is a naturally musical voice aided and abetted by impeccable pitch and an ability to move through registers effortlessly. Clancye Milne’s jazz sensibilities are strong and she phrases with the maturity of a jazz singer twice her age, with just a whisper of Blossom Dearie.
“Work hard, stay focused. Connect with other positive, creative artists who are also good human beings. Give more back than you take. Stay true to yourself. Don’t waste your time with useless BS. Dont be silent if something doesn’t feel right.”
There were over 70 performances to choose from, so even without the big international names in the line-up, it was outstanding value for pass holders. The tightly packed schedule meant catching complete sets was the biggest challenge.
” We make music because we’re driven to express, create. Human beings rise above all kinds of stuff. Sometimes as artists we get to show people a way. Sometimes we get to sit back and be shown. This is my way. “
After the “Mother’s day” overload, it feels a little strange, not being bombarded with ‘mother’s day gift ideas’ every single time you turn the tv on, or you walk into a supermarket; but I guess we’ll manage. I’ve been trying to avoid the subject but then, out of coincidence – if there is such thing as …
That it’s her first album is astonishing. I hope she will find the support to do many more. King gives credit to her phenomenal musicians who she says took the shells of her tunes and weaved such magic with them and to Pete Jeavons, the musician who brought his studio and recording expertise and incredible ears to the table to assist her in realizing her heart felt and impeccably musical vision.
“Over an eleven day period, I’d seen a lot of jazz, a lot of great jazz. I missed a lot too, such is the extent of the festival’s program. ” Greg Phillips gives us a considered overview of the textured 2014 Stonnington Jazz Festival
Our new podcast is up with a distinct WA focus. “Our third podcast. The Perth International Jazz Festival apparently ‘went off’, which translates to ‘a jolly good time was had by all’. In this show we cornered the super-busy and very generous Graham Wood. Graham artistically directs the PIJF, is Associate Prof at West Australian …