Beeche/Magnusson’s seventeen (yes, seventeen) tracks work through the spectrum of possibilities of the alto/guitar combination from the Hot Club joie-swing of ‘The Gift’ and ‘Wings’ through to impressionistic ballads like Beeche’s lovely ‘Golden Blue’ and all points between.
“I’m telling a multitude of stories with this project and I suppose that’s an overarching story; that everyone has a story worth listening to if you take the time to hear them. And that story might come through words or sounds or body movements or other forms of expression. With the three guitarists I’ll be sharing timeless stories from many cultures by performing pieces from the jazz, nueva cancion, chanson, pop and bossa nova traditions.”
extempore and the Wangaratta Festival of Jazz and Blues have collaborated with National Jazz Award winners from every year of the festival since it began. The result is this eclectic set of souvenir postcards from some of our most creative musicians.
From the media release Magnusson/Oehlers/Vanderwal “Paper Tiger” CD launch tour 2014 In 2013 these three fine musicians got together to perform and enjoyed the results so much they coaxed each other to go into the studio and record an album. Once in there, with the red light on they couldn’t stop, they tied the sound …
The Wilfreds’ singing seems all the more urgent when it is riding atop a band that is in this state of what we might call restrained agitation. And it is this interplay that breeds that sense of mystery, where both parties are enriching the other’s tradition; when the Dreaming of the Yolngu people intermingles with Western flights of imagination; where any demarcation line between ritual and creativity is blown away in a sand-storm of sound.
Swailing is as free as This is Always is restricted; it is as open as the quartet recording is closed. Swailing is the magpie, picking from electric Miles, Massenet and Fats; This is Always is the osprey, its eye fixed on the one prize.
And both are deliriously beautiful for all of these qualities and more.
Katz has come up with an appealing, thoughtful and lyrical take on jazz-rock, ‘Mistral’ and ‘Working Title’ being especially strong.
The compositions, all originals by Zwartz, develop organically and effortlessly, belying the extensive work that has gone into their creation. The soloists tailor their contributions to the mood of each piece, adding to the feeling that the album is a suite of connected pieces. Meanwhile, Zwartz, Stuart, Hevia and McCall lay down a rock solid basis for proceedings.
Musicians all over the world will celebrate UNESCO’s inaugural International Jazz Day on Monday 30 April 2012. Here are some Australian events you might like to attend…
The music was alive and active and taking me places. Breathless and totally engrossed, I was in the moment and yet excited about what would follow. When the high point came (for me), it instantly recalled Stephen Magnusson’s playing during the Tim Berne’s Adobe Probe Melbourne gig during the 2009 Melbourne International Jazz Festival.