Tag Archives: John Shand

Mark Isaacs – Serving the Melody

So by the time he turned 20 his palm was etched with a future as both player and composer, as jazz artist and classical. This puts Isaacs in a very select company – Don Banks, Bruce Cale, Phil Treloar, Mike Nock and Paul Grabowksy come to mind – of Australian artists whose work has been taken seriously in both idioms, and he sees the twin careers as being mutually beneficial.

Album review: The Bitter Suite (Paul Grabowsky Sextet) by John Shand

Just as the album’s title is both brooding and punning, so the music is in a constant flux of what, were it writing, we would call ‘tone’. Grabowsky can seem to create a pastiche of an idiom out of which a deep truth will grow in the improvising, while a more solemn-sounding piece will spawn sly asides and dramatic jolts from the players, or perhaps contain an unexpectedly curdled harmony.

John Pochee: part of the music

Few players besides Pochée have been members of six pivotal Australian jazz bands: in the ’60s the Heads (subsequently the Bernie McGann Quartet); in the ’70s the Judy Bailey Quartet and the Last Straw (which continued into this century); in the ’80s the Bernie McGann Trio (and Quartet, both also running into this century) and Ten Part Invention (ditto); in the ’90s the Engine Room. Furthermore Pochée led the Straw, the Engine Room and Ten Part, the latter involving the Herculean task of keeping a 10-piece band together for three decades.