Read our recent review of On a Clear Day, the Jamie Oehlers / Paul Grabowsky Jazzhead release of jazz standards. Review by Peter Kenneally.
There are two approaches usually taken to standards: either a polite respectful caressing, which tries to leach the banality out of the old chestnut, or a gut busting ‘I can make any tune do anything I want’ assault. This recording ignores both, and goes its own way right from the start…
When did you start playing jazz and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? I […] Read More
When did you start playing saxophone and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? When […] Read More
Tom Vincent, Blood Red (Label: Lumbini House) Avaible at www.tomvincent.com.au CD review by Victoria Nugent The latest offering from jazz pianist Tom Vincent is a […] Read More
Though we live in the age of singles, the jazz genre has managed to maintain its penchant for complete projects over aural snapshots, and The Gentle War is no different. There is something innately special about the overall Misinterprotato aesthetic
It is a testament to Winkelman’s vision for these pieces that stride, montunos and various rhythmic tangents can be found sitting side-by-side in a way which only enhances, rather than confuses, the narrative they belong to. At the same time, the dynamic interplay and symbiosis between Winkelman, Anning and Vanderwal allows for their flawless execution.
When did you start playing jazz and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? I […] Read More
