Sounds Australia and the Australian Music Centre now host a dedicated Australian booth at jazzahead!, and coordinate a range of activities for Australian delegates who make their way to Bremen.
Tag: Sean Foran
It’s been almost a quarter of a century since Trichotomy first ventured into their quest to explore the possibilities of the jazz piano trio formation, […] Read More
Share this:
“Pascal brings a real sense of soundscape to the Berardi/ Foran/ Karlen music; he thinks texturally, but also melodically. So when we added him to the group, it brought so much colour and depth to the sound, but also without standing out. To us it sounds like a natural fit.”
Share this:
“We’re always watching the dancers and responding to them – sometimes closely following the actions with musical cues, at other times creating a dynamic and textural sense of the emotion in the dance through the music. On the other hand, the dancers are listening to us and responding, taking their timing cues from us sometimes.”
Share this:
“I recorded ‘Frame of Reference’ in London over two days with the band coming together for the first time at the session. I’d never really worked in that way before, so it certainly brought some new pressures to the whole thing, but also gave the recording a great intensity and focus.”
Share this:
” I suppose as weโre all quite aware, there has been SO much incredible trio music, so the challenge [for Trichotomy] is adding something to this already rich repertoire of music; hopefully weโre doing that!”
Share this:
“In no way did any of us want to honour or glorify the concept of war, so we were quite burdened with the seriousness of the task at hand: honouring historical happenings and putting a voice to these concepts and people’s experiences from this time”.
Share this:
Collectively known as Berardi /Foran/Karlen (BFK), Hope In My Pocket is a musical exploration through the powerful experiences and emotions contained throughout the archived written correspondence of ANZAC history.
Share this:
The band has been playing together so long that they know each other’s playing intimately: ‘We can just look at each other or play something and know that we are going to go on to a new section of the music or that the dynamics are going to rise or fall. It’s amazing how it works.
Share this:
Trichotomy Fact Finding Mission (Jazzhead) 28 February 2013 Sean Foran (piano), Patrick Marchisella (bass), John Parker (drums) with James Muller, Tunji Beier & Linsey Pollak […] Read More
