Jazz in Adelaide: Reminiscing about the Cellar and the Creole Room

“We immediately moved an initially serviceable, hired, upright piano from the cellar beneath Bill Ross’ parents’ home to the new club; but, because we managed to drop it from about halfway down the stairs to the bottom, it was then deemed no longer serviceable by its owner. “Written off” – and therefore now rent-free – the piano was actually in reasonable shape. It held its tune reliably; and it never left the Cellar until the club finally closed its doors in the early ’70s.”

Bob Bertles’ Meteor, Nucleus and Ten Part Quadruple Threat

Bertles remains imposing, and perhaps it was always a big man’s absence of timidity – a crash or crash through mentality – that made his playing so compelling