The maker-or-breaker of course is in writing for the small ensemble. With such a limited musical palette of timbres and instrument capabilities, every decision has to count. Done badly, it can be turgid or insipid. To hit the sweet spot that is the intersection of composition, knowledge and vision, it helps to be a hell of a player, listener and thinker.
In the goldfish bowl of the Australian jazz scene this might be the sort of calculated risk that we need to see more of. All evolution needs diversity and the occasional short sharp shock to the status quo.
I once heard John Coltrane’s playing described as the sound of a ‘very large man crammed into a tiny room, shooting notes at the corners of that room.’ I have often though of that neat phrase when experiencing the playing of Sydney tenor colossus James Ryan…
Prior to publishing his review of Theseus and The Minotaur (Captain Kirkwood), John Hardaker asked Ellen Kirkwood some questions about the album and Here are […] Read More
In fact, on the band’s debut, Theseus and the Minotaur, Kirkwood has taken on a hell of an idea: the Greek legend of Theseus and his battle to the death with King Minos’ monstrous cannibal creature, the Minotaur. The band tell the story over five linked pieces, with narration by Ketan Joshi.
‘a strange and beautiful world conjured among the bricks and grime, the litter and the 7-11 stores’
US sax giant Dave Liebman called Sugg ‘a dedicated warrior’ and throughout the album his tone and lines (restricted here to only soprano sax) are heroic as he leads his band through the music.
That Galaxstare are capable of creating this huge, deep, wide, bottomless universe of music in a room on Cleveland Street using only bass clarinet, voice, accordion, bass and drums is astounding and humbling.
Sydney tenor giant James Ryan – as well as being a startling instrumentalist – is a truly gifted and, in a world where the word has been buffed clean of all its edge, a truly creative composer and arranger. He recently arranged a selection of Ray Charles tunes for his powerhouse big band, The Sonic Mayhem Orchestra, a collection of Sydney’s best and brightest and that rare bird: a large ensemble bristling with astonishing soloists that play as an ensemble, as one.
