Skip to content
  • Home
  • News
  • Reviews
  • Interviews
  • Features
  • The Scene
    • Listening Room
    • Melbourne Jazz
    • Jazz in Sydney
    • Adelaide Jazz
    • Perth Jazz
    • Brisbane Jazz
    • Canberra Jazz
    • Darwin Jazz
    • Hobart Jazz
    • Kiwi Jazz
  • Nostalgia in Fed Square
  • About
    • Policies & Guidelines
    • How to support us
    • Contact

AustralianJazz.net

  • Home
  • News
  • Reviews
  • Interviews
  • Features
  • The Scene
    • Listening Room
    • Melbourne Jazz
    • Jazz in Sydney
    • Adelaide Jazz
    • Perth Jazz
    • Brisbane Jazz
    • Canberra Jazz
    • Darwin Jazz
    • Hobart Jazz
    • Kiwi Jazz
  • Nostalgia in Fed Square
  • About
    • Policies & Guidelines
    • How to support us
    • Contact

Tag: Shannon Barnett

Reviews Posted on2 October 201917 October 2019

Elly Hoyt – The Composers’ Voice: Female stories told from a female perspective

Elly Hoyt has harnessed the power and beauty of music, not simply for its own sake, but to give voice to those we have heard far too little from.

Share this:

  • Tweet
  • Print
Reviews Posted on23 October 201723 October 2017

Shannon Barnett – ‘Hype’

Shannon Barnett writes brilliantly for jazz – there is challenge, rhythmically and melodically, but there is also space enough to move around in.

Share this:

  • Tweet
  • Print
Festival Reviews, Festivals, News, Reviews Posted on3 November 201614 May 2019

Review: Wangaratta Jazz and Blues Festival 2016

There were over 70 performances to choose from, so even without the big international names in the line-up, it was outstanding value for pass holders. The tightly packed schedule meant catching complete sets was the biggest challenge.

Share this:

  • Tweet
  • Print
Concerts and tours, Festivals, Interviews, people Posted on5 October 201623 October 2017

Shannon Barnett: “The Wangaratta Jazz Festival shows what a lively bunch of people our community can be”

“I grew up looking up to musicians like Andrea Keller and Sandy Evans, because I could see that they had their own bands, were writing their own music and were totally accepted and respected by the jazz community. I saw that it was possible to have a career in music.”

Share this:

  • Tweet
  • Print
News, Reviews Posted on1 July 201621 June 2019

REVIEW: Andrea Keller Quartet – Greatest Hits

Keller’s harmonic sense throughout seems to have its own logic, following its path to places, once arrived at, are just where we want to be. Like all valid jazz writing, her compositional language seems to suit the soloists just fine, too.

Share this:

  • Tweet
  • Print
U.nlock on stage at Wangaratta picture by Damian Diviny
Festivals, Interviews Posted on8 November 20138 November 2013

Unlocking the secrets of no fixed pitch

U.nlock is interesting instrumentally because of the absence of chordal instruments. ‘We also realised at some point that neither of the melodic instruments are of a fixed pitch…’

Share this:

  • Tweet
  • Print

LIKE!

LIKE!

Australian Jazz: the playlist (work in progress)

Jazz for Beginners: An ever-expanding playlist

Top-10

  • Summer at MONA: 42 day music marathon
    Summer at MONA: 42 day music marathon
  • Jazz in Adelaide: Reminiscing about the Cellar and the Creole Room
    Jazz in Adelaide: Reminiscing about the Cellar and the Creole Room
  • Chris Botti: 'I love the work ethic of being on the road and playing music for people'
    Chris Botti: 'I love the work ethic of being on the road and playing music for people'
  • Megan Burslem - my songlines
    Megan Burslem - my songlines
  • Kristin Berardi and James Sherlock: "It's easy to make music with someone who's a good friend"
    Kristin Berardi and James Sherlock: "It's easy to make music with someone who's a good friend"
  • Liz Carnovale: 'Diva Month  at Paris Cat is a celebration of all our female artists'
    Liz Carnovale: 'Diva Month at Paris Cat is a celebration of all our female artists'
  • Steve and Mal Sedergreen on the Return of Mistaken Identity
    Steve and Mal Sedergreen on the Return of Mistaken Identity
  • One question for Gemma Turvey, pianist and creative director of the New Palm Court Orchestra
    One question for Gemma Turvey, pianist and creative director of the New Palm Court Orchestra
  • Lucy Clifford: 'Jazz means forever evolving daily'
    Lucy Clifford: 'Jazz means forever evolving daily'
  • Fiona Burnett: 'Morgana always challenged the stereotype of jazz'
    Fiona Burnett: 'Morgana always challenged the stereotype of jazz'

OUT OF THE PAST

February 2023
M T W T F S S
 12345
6789101112
13141516171819
20212223242526
2728  
« Jan    

Tags

3 Questions Allan Browne Andrea Keller Arjun von Caemmerer Barney McAll bass Bernie McGann Bird's Basement Chris McNulty Eugene Ball Gian Slater Jamie Oehlers Jazz on Lockdown Jeremy Rose JMI live John Clare John Hardaker John Shand Jonathan Zwartz Julien Wilson Kristin Berardi Mace Francis Marc Hannaford Matt McMahon melbourne international jazz festival Melbourne Recital Centre MIJF Mike Nock NJA Paris Cat Jazz Club Paul Grabowsky Peter Knight Phil Slater Sam Anning Sam Keevers Sandy Evans Saxophone Scott Tinkler SIMA Simon Barker Stephen Magnusson Stonnington Jazz The Jazz Lab voice Wangaratta Festival of Jazz and Blues

What is Australian Jazz?

https://australianjazz.net/wp-content/uploads/Peter-Knight-Way-Out-West-04-Latest-and-Breaking.mp3

TIP JAR




KEEP IN TOUCH

Enter your email address to subscribe to AustralianJazz.net and receive notifications of new posts by email.

Join 4,136 other subscribers

ACKNOWLEDGEMENT OF COUNTRY

 

Australian Jazz acknowledges that we work on Aboriginal land and Aboriginal and Torres Strait Islander peoples as the traditional custodians of this country we call home. We pay our respect to Indigenous elders past, present and future and to the elders of other communities.

Social

  • View australianjazz’s profile on Facebook
  • View austjazznet’s profile on Twitter
  • View australian_jazz’s profile on Instagram
© 2023 AustralianJazz.net
Powered by WordPress / Theme by Design Lab