John Hardaker

John Hardaker is a musician and writer who also posts regularly at his site https://wordsaboutmusic.wordpress.com/.

John Hardaker is a musician and writer who also posts regularly at his site https://wordsaboutmusic.wordpress.com/.

Album review: Eamon Dilworth – Viata

Each of the nine pieces are more settings than compositions, or even improvisation – settings for Dilworth to express this idea of viata/life, and his reaction to it. Many of the tunes on ‘Viata’ have a European dissonance, a Bartokian slipping in and out of key and tone – not exactly dissonance, more the stretching of the envelope, a very human thing, tying it to the universality of the blues.

Polymorphic Orkestra – Confluence

Their latest album, ‘Confluence’, is made up of two long improvisations – the 40-minute ‘Stream’ and the 24- minute ‘Flow’. The titles are fitting, as this music has much in common with the nature of both water and of electricity: rushing between banks, bubbling over rapids, coming to rest calm and lake-serene, sparking, ever moving to a point of resolution or rest.

Ellen Kirkwood & Sirens Big Band – [A]part: massive in every way

And that from anguish to giddy silliness, and everything in between is the scope of [A]part. It is a massive piece in every way: challenging to the ear and the mind, highly original (as we know Kirkwood to always be), often cerebral and abstract, all the time threatening to be too much to take in in one sitting. But what saves it from possible overwhelm is that Kirkwood never loses the emotional thread in the music; it is human music and it consistently makes you feel. Sometimes, as with all valid contemporary art, those feelings can be baffling or even plain uncomfortable, but you do feel them deeply.