Jonathan Dimond said, “Tripataka is the playing field, the tester of protypes, and the practical vehicle that balances the theoretic research into the nexus between Western and intercultural composition and improvisation that I have been exploring since my earliest years of music-making.”
Slater’s voice is a perfect choice for the Trio and Stephenson’s songs. Bell-clear, it is a fluid thing, like smoke or drifting water, avoiding any grating blues edges or forced earthiness. It is this instrumental quality a hallmark of all valid jazz singing that fits so neatly with the modern angles and curves of Stephenson’s compositions
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Sandy Evans was inspired by these images of reality and reflection, so she started composing what turned out to be musical responses to them. “I like to think of harmony in relation to colours”, she says, describing her approach. “Other times it was the structure of the photos that I reacted to. There are certain mirror images, so what I did was take some melodic ideas and reverse them”.
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Self Aware of Myself weaves together song, interview fragments and spoken text to form fragmentary portraits. At the core of the project is set of interview questions by Georgie Darvidis that are whimsical, candid, and quietly revealing.
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“This is a very gentle album were releasing and its a gentle sounding ensemble. I dont believe I would have been writing this kind of music, or certainly an albums worth and more of this kind of music, if it hadnt have been for having kids. Partly it came about from sheer tiredness.”
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Their music has a smooth feel, offering a downtempo version of soul jazz, often with a nod to bands like Earth, Wind and Fire. The rhythm section creates an elegant soundscape, a canvas for the playful interaction between the Turcio and Albare, who captured the audiences attention sending them off to a musical path sparked love and passion.
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“As artists we need to use our gifts to make people think, to make people feel, to make people aware, to make people accountable, to invoke change. I wish to leave my imprint on this world and I wish it to have made a difference.”
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” I think my stage persona is just a more magnified version of myself. It’s important for me that the audience feel connected and involved. I don’t just want to sing ‘at’ them. I like having a bit of a chat…and yes, sometimes the chatter does get a little cheeky, but I don’t think the audience mind! If the audience are at ease, relaxed and happy…then so am I! It’s also about the songs. Each song has a story…I love being the storyteller.”
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“Studying jazz fostered a strong sense of mindful listening and interaction within a group, nurtured my creativity through improvisation and composition and allowed me to explore various parameters within music which have crossed over into my own writing and singing.”
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Tim Rollinson’s ‘Nitty Gritty’ calls to mind John Scofield’s enormously successful Scofield Au Go Go of a few years back and in many ways comes from the same place: a love of groove and the improvisational ideas which flower from the deep earth of funk
