This is the musical equivalent of slow food, and will amply repay the patient. Eleven years on and this Melbourne/Sydney collective restores itself to its rightful place near the pinnacle of Australian jazz.
Category: Album Releases
The maker-or-breaker of course is in writing for the small ensemble. With such a limited musical palette of timbres and instrument capabilities, every decision has to count. Done badly, it can be turgid or insipid. To hit the sweet spot that is the intersection of composition, knowledge and vision, it helps to be a hell of a player, listener and thinker.
If an index of the ‘success’ of any art is its capacity to make an audience question what they have previously taken for granted, their own habitual modes, then on this measure Chameleons of the White Shadow, the 10th album from Joseph Tawadros in as many years, succeeds admirably…
In the goldfish bowl of the Australian jazz scene this might be the sort of calculated risk that we need to see more of. All evolution needs diversity and the occasional short sharp shock to the status quo.
lost in the stars | allan browne trio Released June 2013 on Jazzhead From the media release The Allan Browne Trio with Marc Hannaford and […] Read More
Is this a new genre? Pub jazz-rock? I remember that hearing the Subterraneans for the first time was a hallelujah moment. Finally here was a band combining rock’s visceral energy with jazz’s lithe spontaneity without compromising either.
Before we run out of space it must be emphasised that this is unusually beautiful music. But even in the most euphoric music you can, in a certain mood, feel a touch of melancholy. Surely it is just the realisation that no golden age lasts forever, nor any life…
I once heard John Coltrane’s playing described as the sound of a ‘very large man crammed into a tiny room, shooting notes at the corners of that room.’ I have often though of that neat phrase when experiencing the playing of Sydney tenor colossus James Ryan…
The compositions, all originals by Zwartz, develop organically and effortlessly, belying the extensive work that has gone into their creation. The soloists tailor their contributions to the mood of each piece, adding to the feeling that the album is a suite of connected pieces. Meanwhile, Zwartz, Stuart, Hevia and McCall lay down a rock solid basis for proceedings.
Prior to publishing his review of Theseus and The Minotaur (Captain Kirkwood), John Hardaker asked Ellen Kirkwood some questions about the album and Here are […] Read More