“I’ve always been someone who gets goosebumps and shivers easily when things affect me, and I can remember vocal harmonies affecting me in this physical way from very early on. From there, it has always been part of my life, and I am comforted to think that whatever happens, it will stay there for me”
Genius pianist Barney McAll dominates the shortlist, being featured in four categories with his visceral masterpiece, ‘Hearing the Blood’, while brilliant newcomer saxophonist Evan Harris follows with three nominations, each representing a different generation of Australian jazz.
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“My idea of excellence is something which takes incredible patience and great care. A master craftsman doesn’t get bored of their craft, but rather finds more depth in it over time. I can’t remember where it is from, but I think it’s a Nietzschean aphorism – ‘seriousness is a child at play’, which I think is important too.”
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Acclaimed jazz pianist and composer Tom OHalloran has received the Jazz Work of the Year award for Now Noise, an album composed for his group Memory of Elements (Moe), at the 2017 Art Music Awards
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Legendary jazz drummer and bandleader John Pochee OAM will receive the Distinguished Services to AustralianMusic honour at the 2017 Art Music Awards on Tuesday 22 August.
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The inaugural recipient of the award is the talented saxophonist Scott McConnachie. It will enable him to record a solo album and trio album for release later this year.
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The shortlist for this year’s Australian Jazz “BELL” Awards has been officially announced. This year’s crop has been extraordinary, with many great albums submitted in the competition. The amount of talent in this list is overwhelming, and it is bound to make the work of the judges very hard
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“I think the best kind of award is the one you can’t give. It’s the one that you get from being intimate with music. The award comes when you listen and the hair on the back of your neck stands up, your skin shivers with ecstasy, you cry because there can’t be anything more beautiful than this right now. Anyone who can hear is capable of winning that award, all they have to do is listen.”
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“Living in America is what drew my personality out completely. In the United States, they really celebrate the individual. It was an environment where I found myself unafraid to try things and really develop the music I was hearing in my head.”
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It was a bright and starry night, one of mirth and celebration and camaraderie. It was the night that artists and supporters, musicians and afficionados, jazz elders and rising stars gathered to celebrate the accomplishments and creativity and everything that makes the Australian Jazz scene what it is. There was a ravishing MC, Helen Kapalos, and …
