Album review: Lost in the stars (Allan Browne Trio) by John Clare

This album is both intellectual and exciting, earthy and ethereal. The sheer quality of the playing is overwhelming. I sincerely hope that Melbourne continues to embrace the tradition that has evolved around Browne and his disparate associates.

Wave Rider CD cover

Album review: Wave Rider (Andrea Keller Quartet) by John Hardaker

In his liner notes (notes worth the price of admission in themselves), NYC based pianist Barney McAll – no slouch in the ‘daring’ department himself – says, ‘(Keller) has been blending memories, sonic pictures, Bartók, Shorter and an immaculate classical technique to ensure her trajectory could never disappoint. Andrea is a serious inventor.’

Album Review: This Is Always (Julien Wilson Quartet) by John Clare

“Even at their softest, smokiest, most meditational or sensual this band keeps the form strong.”

REVIEW: ade ishs Trio

Being a visual person, images often swim though my head while listening to music. This image appealed instantly as a perfect expression of the Trio’s music and especially of ishs’ playing – calm and settled on the surface, held in place by a spiritual gravity, its smooth face belieing the many cross currents interweaving and shaping the dark waters below.

Leigh Carriage Mandarin Skyline cover

Album review by Chris McNulty: Mandarin Skyline – ‘an outstanding, creative accomplishment’

‘ …stunning debut from a vocalist-composer who I’m sure we’re going to hear a lot more from in the future. A wonderfully realized, collaborative effort by an outstanding ensemble headed by a gifted vocalist.’

Concert for Syrian refugees

From the media release Sydney based Saxophonist, Ruth Wells (Sirens Big Band), presents a concert to raise funds for projects in aid of Syrian refugees […] Read More

Brendan Clarke: Stretching Out

The carefully-crafted originals on the album are a summary of the writing Clarke has done over the past twenty years, ‘Three Wishes’ dating back to 1993. ‘Busline’ was written for an unreleased ABC recording after he won the 2001 National Jazz Award at the Wangaratta Jazz Festival, while the medium-up ‘Billycart’ was written specially for the album.

U.nlock on stage at Wangaratta picture by Damian Diviny

Unlocking the secrets of no fixed pitch

U.nlock is interesting instrumentally because of the absence of chordal instruments. ‘We also realised at some point that neither of the melodic instruments are of a fixed pitch…’

Nat Bartsch | image by Hannah Dingli

Nat Bartsch Trio at Sydney Women’s International Jazz Festival

“This is unusually beautiful music… exceptionally expressive, finely articulated playing. All round.” (John Clare, australianjazz.net)

Album review | The Healer (Anton Delecca Quartet) by John Hardaker

It is a jazz format that is one of the most satisfying of all within the canon, and they do it so well. So well, in fact, that they deserve your ears. They already have mine.