This album is both intellectual and exciting, earthy and ethereal. The sheer quality of the playing is overwhelming. I sincerely hope that Melbourne continues to embrace the tradition that has evolved around Browne and his disparate associates.
Month: November 2013
In his liner notes (notes worth the price of admission in themselves), NYC based pianist Barney McAll – no slouch in the ‘daring’ department himself – says, ‘(Keller) has been blending memories, sonic pictures, Bartók, Shorter and an immaculate classical technique to ensure her trajectory could never disappoint. Andrea is a serious inventor.’
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“Even at their softest, smokiest, most meditational or sensual this band keeps the form strong.”
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Being a visual person, images often swim though my head while listening to music. This image appealed instantly as a perfect expression of the Trio’s music and especially of ishs’ playing – calm and settled on the surface, held in place by a spiritual gravity, its smooth face belieing the many cross currents interweaving and shaping the dark waters below.
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‘ …stunning debut from a vocalist-composer who I’m sure we’re going to hear a lot more from in the future. A wonderfully realized, collaborative effort by an outstanding ensemble headed by a gifted vocalist.’
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From the media release Sydney based Saxophonist, Ruth Wells (Sirens Big Band), presents a concert to raise funds for projects in aid of Syrian refugees […] Read More
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The carefully-crafted originals on the album are a summary of the writing Clarke has done over the past twenty years, ‘Three Wishes’ dating back to 1993. ‘Busline’ was written for an unreleased ABC recording after he won the 2001 National Jazz Award at the Wangaratta Jazz Festival, while the medium-up ‘Billycart’ was written specially for the album.
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U.nlock is interesting instrumentally because of the absence of chordal instruments. ‘We also realised at some point that neither of the melodic instruments are of a fixed pitch…’
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“This is unusually beautiful music… exceptionally expressive, finely articulated playing. All round.” (John Clare, australianjazz.net)
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It is a jazz format that is one of the most satisfying of all within the canon, and they do it so well. So well, in fact, that they deserve your ears. They already have mine.
