Skip to content
  • Home
  • News
  • Reviews
  • Interviews
  • Features
  • The Scene
    • Listening Room
    • Melbourne Jazz
    • Jazz in Sydney
    • Adelaide Jazz
    • Perth Jazz
    • Brisbane Jazz
    • Canberra Jazz
    • Darwin Jazz
    • Hobart Jazz
    • Kiwi Jazz
  • Nostalgia in Fed Square
  • About
    • Policies & Guidelines
    • How to support us
    • Contact

AustralianJazz.net

  • Home
  • News
  • Reviews
  • Interviews
  • Features
  • The Scene
    • Listening Room
    • Melbourne Jazz
    • Jazz in Sydney
    • Adelaide Jazz
    • Perth Jazz
    • Brisbane Jazz
    • Canberra Jazz
    • Darwin Jazz
    • Hobart Jazz
    • Kiwi Jazz
  • Nostalgia in Fed Square
  • About
    • Policies & Guidelines
    • How to support us
    • Contact

Day: February 27, 2018

Interviews Posted on27 February 201827 February 2018

Steve Barry: “My music is a broad canvas traversing between schematics and watercolours”

“Ultimately my aim was to investigate the type of rule-based composition strategies that were pretty new to me at the start of the project, while allowing plenty of space for the guys to do their thing and bring it all to life.”

Share this:

  • Tweet
  • Print


Tags

3 Questions Allan Browne Andrea Keller Arjun von Caemmerer Barney McAll Bird's Basement Chris McNulty Eugene Ball Gian Slater Jamie Oehlers Jazz on Lockdown Jeremy Rose JMI live John Clare John Hardaker John Shand Jonathan Zwartz Julien Wilson Kristin Berardi Mace Francis Marc Hannaford Matt McMahon melbourne international jazz festival Melbourne Recital Centre MIJF Mike Nock NJA Paris Cat Jazz Club Paul Grabowsky Perth International Jazz Festival Peter Knight Phil Slater Sam Anning Sam Keevers Sandy Evans Saxophone Scott Tinkler Sean Foran SIMA Simon Barker Stephen Magnusson Stonnington Jazz The Jazz Lab voice Wangaratta Festival of Jazz and Blues

What is Australian Jazz?

https://australianjazz.net/wp-content/uploads/Peter-Knight-Way-Out-West-04-Latest-and-Breaking.mp3


LIKE!

LIKE!

Australian Jazz: the playlist (work in progress)

Top-10

  • Leigh Barker: 'Objectively speaking, the best repertoire is from the 1920s and 1930s!'
    Leigh Barker: 'Objectively speaking, the best repertoire is from the 1920s and 1930s!'
  • Emily Sanzaro: 'Storytelling is a big part of my performance'
    Emily Sanzaro: 'Storytelling is a big part of my performance'
  • Tom Ollendorff: 'The guitar is an essential part of my identity'
    Tom Ollendorff: 'The guitar is an essential part of my identity'
  • A sense of vitality and artistry: Gregory Porter @ MIJF
    A sense of vitality and artistry: Gregory Porter @ MIJF
  • 'Child-like playfulness, cinematic storytelling and lyrical melodies' - Jordan Chung introduces Zodiac
    'Child-like playfulness, cinematic storytelling and lyrical melodies' - Jordan Chung introduces Zodiac
  • Marco Pacassoni: 'I am influenced by mediterranean melodies that keep the audience flying'
    Marco Pacassoni: 'I am influenced by mediterranean melodies that keep the audience flying'
  • Hetty Kate: 'I came to Paris to push myself out of my comfort zone'
    Hetty Kate: 'I came to Paris to push myself out of my comfort zone'
  • Jack Earle Big Band - be part of their first disc
    Jack Earle Big Band - be part of their first disc
  • Andrea Keller: 'I understood the responsibility of sharing, nurturing and leading by example'
    Andrea Keller: 'I understood the responsibility of sharing, nurturing and leading by example'
  • [REVIEW]  Parkside - Hilary Geddes' sonic exploration
    [REVIEW] Parkside - Hilary Geddes' sonic exploration

KEEP IN TOUCH

Enter your email address to subscribe to AustralianJazz.net and receive notifications of new posts by email.

Join 3,376 other subscribers


OUT OF THE PAST

February 2018
M T W T F S S
 1234
567891011
12131415161718
19202122232425
262728  
« Jan   Mar »

ACKNOWLEDGEMENT OF COUNTRY

Australian Jazz acknowledges that we live and work on unceded Aboriginal land.

  • We acknowledge Traditional Custodians of Country throughout Australia and recognise the continuing connection to lands, waters and communities.
  • We pay our respect to Aboriginal and Torres Strait Islander cultures; and to Elders past and present.

Aboriginal and Torres Strait Islander peoples should be aware that this website may contain images or names of people who have since passed away.

LEARN MORE ABOUT THE ULURU STATEMENT

Like/ Follow/ Share

  • View australianjazz’s profile on Facebook
  • View australian_jazz’s profile on Instagram
© 2025 AustralianJazz.net
Powered by WordPress / Theme by Design Lab