“Translating Kundera’s prose to music involved capturing the emotional depth and contrasting themes of lightness and weight. The main challenge was creating compositions that embody the philosophical nuances of the text while maintaining a coherent and engaging musical narrative.”
One of the things the Adelaide Jazz Festival does well is introduce the new generation of musicians to the community. The second edition of the […] Read More
“I love ‘Rhapsody in Blue’ so I play it a lot. It’s big, it’s small, it’s rhythmic, it’s rhapsodic, the themes are catchy and silly, and people always clap really loud at the end, which is fun, I do admit.”
For the past few weeks, Tasmania-based harpist Emily Sanzaro, has been engaged in a highly unusual project, that gives new meaning to the term ‘residency’: […] Read More
“Any place can fit our music, any place can be the right place for an experience like this. The music itself creates inner spaces in each listener.”
It’s been almost a quarter of a century since Trichotomy first ventured into their quest to explore the possibilities of the jazz piano trio formation, […] Read More
If you are in Canberra, make sure not to miss the Street Theatre’s latest production. Creswick (a.k.a. Liam Budge) presents In His Words: Voices of […] Read More
What makes Ally Hocking Howe’s EP ‘The Feather Came First’ a great listen is not the music itself, but the promise it carries: the promise of a great composer, and a great musician, who can mover through genres and blend elements from all sorts of sources to create something new
“I believe the melody is one of the most important things and I want it to always be significant. When I think the composition has reached a good level of complexity without sounding pretentious, then I am happy.”
“Morgana was a positive force in my life and gave me a lot of purpose”
