“I have a great band, I feel very supported, but with that support I can also take some musical chances, it’s kind of like jumping off the edge of a cliff and knowing that someone will catch you, something will break your fall.”
Category: Gigs and concerts
“The album is dedicated to this idea of finding presence, and listening to one’s honest self, a process that exists most powerfully between all the motion and all the thoughts.”
“The flute isn’t the most common instrument in improvised music, so as much as I have always had a strong love and interest in jazz and improvisation, it took me a while to figure out how I could fit in. You are always drawn to what you love, so one way or the other — if you stick at it and follow your instincts, it will find you!”
“It’s the Jazzmeia way, there’s no other way to describe it.”
One of the things the Adelaide Jazz Festival does well is introduce the new generation of musicians to the community. The second edition of the […] Read More
“I love ‘Rhapsody in Blue’ so I play it a lot. It’s big, it’s small, it’s rhythmic, it’s rhapsodic, the themes are catchy and silly, and people always clap really loud at the end, which is fun, I do admit.”
“Any place can fit our music, any place can be the right place for an experience like this. The music itself creates inner spaces in each listener.”
Xani is a virtuoso musician who sees no boundaries in music. At times during the concert, she tapped a rhythm on her violin; other times, used her fingers along the strings to find the exact effect she wanted.
Jazzmeia Horn’s scatting is like nothing I’ve ever heard — her originality of interpretation transcends.
The audience was treated to Kurt Elling’s distinctive, creative vocalese, punctuated by the scintillating lyrical embellishments of guitarist Charlie Hunter as well as his masterful solos. It was a case of dual sheer artistry.