Trombonist James Greening has always been one of our most joyful and joyous players. His very choice of instrument is joyful – the whinnying, hallelujah-ing of the trombone and the jovial flatulence of the sousaphone just bring a grin to your soul.
Tag: Brett Hirst
This is the musical equivalent of slow food, and will amply repay the patient. Eleven years on and this Melbourne/Sydney collective restores itself to its rightful place near the pinnacle of Australian jazz.
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Sean Coffin’s tenor tone and approach fits the music perfectly. In his sound there are distinct echoes and cries from jazz history – the blues is prominent if abstracted – yet the same imagination that elevates his arrangements carries through to surprise us in his solos. Funky as fuck in ‘Booga Dunny’ (get it? ‘I’m a funny cat’, says SC), a soul-jazz boogaloo, he also plays a ballad such as ‘Quiet Thoughts’ with great depth – the coda cadenza was a composition in itself. His horn can bite but it can also kiss.
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His ideas are clear and strong, and deceptively simple motifs unfold and develop in unexpected ways, always maintaining the listener’s interest. Suite SIMA is a model of how to write for a medium-sized jazz ensemble that will provide student composers and arrangers with many lessons and lots of inspiration.
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‘The whole work was beautifully measured, finally showering us with brilliant sound and sensation. This was a triumph to be stored in memory…’
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A ten minute video of Vince and his band at The Basement in July 2009
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…a performance full of twisting improvisations and complex rhythms.
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“… I find I have to focus on my own contribution and sadly miss some of the great musicians who are playing until after I’ve finished my concerts…”
