20Up sees the AAO return to the place of its first concert: the Malthouse Theatre in Melbourne. A total of twenty-five musicians will perform a range of works from Ringing the Bell Backwards, the first work written for the AAO by Founding AD Paul Grabowsky which premiered at Malthouse in 1994; Passion, which is the AAO’s take on Bach’s St Matthew Passion; Testimony, Sandy Evans’ extraordinary tribute to Charlie Parker; Struttin’, Eugene Ball’s impressionistic take on Louis Armstrong, and a brand new commission from young composer, Austin Buckett called Virtuoso Pause.
Tag: Gian Slater
The judges, Chris Cody, Andrew Gander and 2003 Freedman Fellow Phil Slater, deliberated late into the night. In a group statement, they said of their decision ‘We had four very strong musical identities and it was a most difficult choice. In the end, we chose Aaron Choulai, a very exciting young musician, a risk-taker, a very clear musical personality. Aaron already has a great deal to offer and we are sure there is much more to come. We congratulate all the candidates. They make Australia a very strong country for jazz’
From the media release The Freedman Jazz concert will be held on Wednesday 20 of August at the Sydney Opera House Studio at 7:30pm. Tickets: […] Read More
U.nlock is interesting instrumentally because of the absence of chordal instruments. ‘We also realised at some point that neither of the melodic instruments are of a fixed pitch…’
Before we run out of space it must be emphasised that this is unusually beautiful music. But even in the most euphoric music you can, in a certain mood, feel a touch of melancholy. Surely it is just the realisation that no golden age lasts forever, nor any life…
Musician Gian Slater receieved an early career fellowship in the first round of creative fellowships under the new Federal Government’s Creative Australia Artist Grants initiative.
Barney McAll’s Graft is a suite of music that looks at technology and the bizarre affect it is having on human connection. It is a wild musical sound painting reflecting the ever increasing ambiguity between virtual and real.
‘Slumber’ composed and arranged by Belinda Moody, performed by Moody on bass, Gian Slater on vocals, Colin Hopkins on piano, Phil Collings on drums, and string quartet.
“…I have been trying to work on finding a balance between the experimental, improvisational elements and the more functional melodic, harmonic worlds that I love exploring…”
“All of the singers are very accomplished musicians, who are open minded, interested in exploring new territories and are all great improvisers.”