AAO 20th Anniversary Concert Series 5-7 November 2014

20Up sees the AAO return to the place of its first concert: the Malthouse Theatre in Melbourne. A total of twenty-five musicians will perform a range of works from Ringing the Bell Backwards, the first work written for the AAO by Founding AD Paul Grabowsky which premiered at Malthouse in 1994; Passion, which is the AAO’s take on Bach’s St Matthew Passion; Testimony, Sandy Evans’ extraordinary tribute to Charlie Parker; Struttin’, Eugene Ball’s impressionistic take on Louis Armstrong, and a brand new commission from young composer, Austin Buckett called Virtuoso Pause.

2014 Freedman Fellow Announced: Aaron Choulai

The judges, Chris Cody, Andrew Gander and 2003 Freedman Fellow Phil Slater, deliberated late into the night. In a group statement, they said of their decision ‘We had four very strong musical identities and it was a most difficult choice. In the end, we chose Aaron Choulai, a very exciting young musician, a risk-taker, a very clear musical personality. Aaron already has a great deal to offer and we are sure there is much more to come. We congratulate all the candidates. They make Australia a very strong country for jazz’

Freedman Jazz Fellowships finalists announced

From the media release The Freedman Jazz concert will be held on Wednesday 20 of August at the Sydney Opera House Studio at 7:30pm. Tickets: […] Read More

U.nlock on stage at Wangaratta picture by Damian Diviny

Unlocking the secrets of no fixed pitch

U.nlock is interesting instrumentally because of the absence of chordal instruments. ‘We also realised at some point that neither of the melodic instruments are of a fixed pitch…’

Nat Bartsch Trio | Photo by Samara Clifford

Nat Bartsch Trio | John Clare reviews two releases

Before we run out of space it must be emphasised that this is unusually beautiful music. But even in the most euphoric music you can, in a certain mood, feel a touch of melancholy. Surely it is just the realisation that no golden age lasts forever, nor any life…

Gian Slater receives Creative Fellowship

Musician Gian Slater receieved an early career fellowship in the first round of creative fellowships under the new Federal Government’s Creative Australia Artist Grants initiative.

Barney McAll’s creeping unease

Barney McAll’s Graft is a suite of music that looks at technology and the bizarre affect it is having on human connection. It is a wild musical sound painting reflecting the ever increasing ambiguity between virtual and real.

Gian Slater sings Belinda Moody’s ‘Sleepy Head’

‘Slumber’ composed and arranged by Belinda Moody, performed by Moody on bass, Gian Slater on vocals, Colin Hopkins on piano, Phil Collings on drums, and string quartet.

Gian Slater: ‘Gone, without saying’

“…I have been trying to work on finding a balance between the experimental, improvisational elements and the more functional melodic, harmonic worlds that I love exploring…”

Gian Slater – a few quick questions

“All of the singers are very accomplished musicians, who are open minded, interested in exploring new territories and are all great improvisers.”