Elly Hoyt – The Composers’ Voice: Female stories told from a female perspective

Elly Hoyt has harnessed the power and beauty of music, not simply for its own sake, but to give voice to those we have heard far too little from.

Review: James Macaulay’s – Today Will Be Another Day

I hear an anarchic joy on James Macaulay’s ‘Today will be Another Day’

James Macaulay: ‘The charm of the trombone is in its mystery’

“My idea of excellence is something which takes incredible patience and great care. A master craftsman doesn’t get bored of their craft, but rather finds more depth in it over time. I can’t remember where it is from, but I think it’s a Nietzschean aphorism – ‘seriousness is a child at play’, which I think is important too.”

ALBUM LAUNCH: ‘Self Aware of Myself’ Unfix with Penny Quartet and Georgie Darvidis

Self Aware of Myself weaves together song, interview fragments and spoken text to form fragmentary portraits. At the core of the project is set of interview questions by Georgie Darvidis that are whimsical, candid, and quietly revealing.

Review: Eugene Ball 4tet – Hi(gh) Curious

All songs in the album are performed with the same electrifying intensity, from the most high-energy compositions to the contemplative interpretations of standards.

AAO 20th Anniversary Concert Series 5-7 November 2014

20Up sees the AAO return to the place of its first concert: the Malthouse Theatre in Melbourne. A total of twenty-five musicians will perform a range of works from Ringing the Bell Backwards, the first work written for the AAO by Founding AD Paul Grabowsky which premiered at Malthouse in 1994; Passion, which is the AAO’s take on Bach’s St Matthew Passion; Testimony, Sandy Evans’ extraordinary tribute to Charlie Parker; Struttin’, Eugene Ball’s impressionistic take on Louis Armstrong, and a brand new commission from young composer, Austin Buckett called Virtuoso Pause.