Skip to content
  • Home
  • News
  • Reviews
  • Interviews
  • Features
  • The Scene
    • Listening Room
    • Melbourne Jazz
    • Jazz in Sydney
    • Adelaide Jazz
    • Perth Jazz
    • Brisbane Jazz
    • Canberra Jazz
    • Darwin Jazz
    • Hobart Jazz
    • Kiwi Jazz
  • Nostalgia in Fed Square
  • About
    • Policies & Guidelines
    • Contact

AustralianJazz.net

  • Home
  • News
  • Reviews
  • Interviews
  • Features
  • The Scene
    • Listening Room
    • Melbourne Jazz
    • Jazz in Sydney
    • Adelaide Jazz
    • Perth Jazz
    • Brisbane Jazz
    • Canberra Jazz
    • Darwin Jazz
    • Hobart Jazz
    • Kiwi Jazz
  • Nostalgia in Fed Square
  • About
    • Policies & Guidelines
    • Contact

Tag: trumpet

Album Releases, News, Reviews Posted on8 July 2015

REVIEW: Fat Yahoozah – I Don’t Care

The binding quality of Ellen Kirkwood’s music and her collaborations is that is consistently has one foot firmly in jazz and the other trailing in the waters of a tangy broth of blues, rock, gypsy swing, klezmer, reggae and you-name-it.

Share this:

  • Tweet
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Album Releases, News, Reviews Posted on6 March 20157 March 2015

Album review: Paul Williamson Live

Live (Jazzhead) Paul Williamson Quartet Review by Samuel Cottell Trumpeter Paul Williamson has an incredible ability to create diverse musical landscapes with other performers. His previous album, […] Read More

Share this:

  • Tweet
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Award finalists Posted on2 December 20103 October 2013

Q&A with Pat Thiele – 2010 NJA finalist

When did you start playing jazz and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? I […] Read More

Share this:

  • Tweet
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Award finalists Posted on2 November 20103 October 2013

Q&A with Nick Garbett – 2010 NJA Finalist

When did you start playing jazz and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? I […] Read More

Share this:

  • Tweet
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Award finalists Posted on13 October 20103 October 2013

Q&A with Nadje Noohuis – 2010 NJA Finalist

When did you start playing jazz and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? I […] Read More

Share this:

  • Tweet
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Award finalists Posted on2 October 20103 October 2013

Q&A with James Kennedy – 2010 NJA finalist

When did you start playing jazz and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? I […] Read More

Share this:

  • Tweet
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Award finalists Posted on2 September 20103 October 2013

Q&A with Damien Maughan – 2010 NJA Finalist

When did you start playing jazz and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? I […] Read More

Share this:

  • Tweet
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Award finalists Posted on2 August 20103 October 2013

Q&A with Eamon McNelis – 2010 NJA Finalist

When did you start playing jazz and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? Growing […] Read More

Share this:

  • Tweet
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Award finalists Posted on2 July 20103 October 2013

Q&A with Nick Pietsch – 2010 NJA Finalist

When did you start playing jazz and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? I […] Read More

Share this:

  • Tweet
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Award finalists Posted on2 June 20103 October 2013

Q&A with Simon Ferenci – 2010 NJA Finalist

When did you start playing jazz and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? I […] Read More

Share this:

  • Tweet
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print



Tags

3 Questions Allan Browne Andrea Keller Arjun von Caemmerer Barney McAll Bird's Basement Chris McNulty Eugene Ball Gian Slater Jamie Oehlers Jazz on Lockdown Jeremy Rose JMI live John Clare John Hardaker John Shand Jonathan Zwartz Julien Wilson Kristin Berardi Mace Francis Marc Hannaford Matt McMahon melbourne international jazz festival Melbourne Recital Centre MIJF Mike Nock NJA Paris Cat Jazz Club Paul Grabowsky Perth International Jazz Festival Peter Knight Phil Slater Sam Anning Sam Keevers Sandy Evans Saxophone Scott Tinkler Sean Foran SIMA Simon Barker Stephen Magnusson Stonnington Jazz The Jazz Lab voice Wangaratta Festival of Jazz and Blues

What is Australian Jazz?

https://australianjazz.net/wp-content/uploads/Peter-Knight-Way-Out-West-04-Latest-and-Breaking.mp3


LIKE!

LIKE!

Australian Jazz: the playlist (work in progress)

Top-10

  • Jazzmeia Horn, why don't tell us a bit about yourself?
    Jazzmeia Horn, why don't tell us a bit about yourself?
  • Tom Ollendorff: 'The guitar is an essential part of my identity'
    Tom Ollendorff: 'The guitar is an essential part of my identity'
  • Q: Zvi Belling, what's the story of AFROSPACE Interchange?
    Q: Zvi Belling, what's the story of AFROSPACE Interchange?
  • Something I wrote about Midnight Sun - Ingrid James' new album
    Something I wrote about Midnight Sun - Ingrid James' new album
  • Jack Earle Big Band - be part of their first disc
    Jack Earle Big Band - be part of their first disc
  • James Macaulay: 'The charm of the trombone is in its mystery'
    James Macaulay: 'The charm of the trombone is in its mystery'
  • Leigh Barker: 'Objectively speaking, the best repertoire is from the 1920s and 1930s!'
    Leigh Barker: 'Objectively speaking, the best repertoire is from the 1920s and 1930s!'
  • CD Review | The Sword and The Brush (Red Fish Blue)
    CD Review | The Sword and The Brush (Red Fish Blue)
  • Rufus Records - 'The Adventurous Label'
    Rufus Records - 'The Adventurous Label'
  • Duke Ellington should be taught in schools
    Duke Ellington should be taught in schools

KEEP IN TOUCH

Enter your email address to subscribe to AustralianJazz.net and receive notifications of new posts by email.

Join 3,019 other subscribers

OUT OF THE PAST

December 2025
M T W T F S S
1234567
891011121314
15161718192021
22232425262728
293031  
« Nov    

ACKNOWLEDGEMENT OF COUNTRY

Australian Jazz acknowledges that we live and work on unceded Aboriginal land.

  • We acknowledge Traditional Custodians of Country throughout Australia and recognise the continuing connection to lands, waters and communities.
  • We pay our respect to Aboriginal and Torres Strait Islander cultures; and to Elders past and present.

Aboriginal and Torres Strait Islander peoples should be aware that this website may contain images or names of people who have since passed away.

LEARN MORE ABOUT THE ULURU STATEMENT

Like/ Follow/ Share

  • View australianjazz’s profile on Facebook
  • View australian_jazz’s profile on Instagram
© 2025 AustralianJazz.net
Powered by WordPress / Theme by Design Lab
 

Loading Comments...