No dividing lines in music: Sandy Evans and Testimony

‘Several ideas guided my creative process in this project: to interpret Yusef Komunyakaa’s poetry, to pay tribute to Charlie Parker, and to do this in my own way in the context of the vibrant Sydney jazz scene of the 1990s.’ Evans says. ‘I’m very proud of this work and thrilled that, in some small way, it is a vehicle for the voices of some very fine Australian musicians, and their embodiment of Parker’s influence, to be heard internationally.’

Testimony | Book and CD review by Phil Sandford

Testimony: A Tribute to Charlie Parker

Evans’ bold vision has allowed her to remain faithful to Komunyakaa’s poems and to Parker’s spirit, while doing so firmly with her own voice. Her finely-crafted composition has given the vocalists and soloists excellent vehicles within which they can pay their individual tributes to Parker, perhaps best summed up in the memorable ‘Testimony Coda’, with Bernie McGann’s last notes floating gently in the air.

Brendan Clarke: Stretching Out

The carefully-crafted originals on the album are a summary of the writing Clarke has done over the past twenty years, ‘Three Wishes’ dating back to 1993. ‘Busline’ was written for an unreleased ABC recording after he won the 2001 National Jazz Award at the Wangaratta Jazz Festival, while the medium-up ‘Billycart’ was written specially for the album.

CD Review: the remembering and forgetting of the air

The compositions, all originals by Zwartz, develop organically and effortlessly, belying the extensive work that has gone into their creation. The soloists tailor their contributions to the mood of each piece, adding to the feeling that the album is a suite of connected pieces. Meanwhile, Zwartz, Stuart, Hevia and McCall lay down a rock solid basis for proceedings.