jazz i write in public (with others) our tangled arcs threaded on grammar, are screeching chalks or a sea of question marks (conjuror, extempore 2012)
Category: Poetry and literature
“did you define love john coltrane when you wrote ‘one up, one down’ even years ago when your raw aggression first trauma’d my ears i […] Read More
‘Several ideas guided my creative process in this project: to interpret Yusef Komunyakaa’s poetry, to pay tribute to Charlie Parker, and to do this in my own way in the context of the vibrant Sydney jazz scene of the 1990s.’ Evans says. ‘I’m very proud of this work and thrilled that, in some small way, it is a vehicle for the voices of some very fine Australian musicians, and their embodiment of Parker’s influence, to be heard internationally.’
‘Michael is a kind of visual jazz artist. He doesn’t like to be scripted; in fact he’s a bit of a daredevil. As much as you’d like to plan, Michael would rather walk a tightrope. We offer the scaffolding in that there’s a set list and there are opportunities for improvisation, where we veer away from song form and build a different type of picture.’
“Al got up from the drum kit and began reading from a book of poetry which he then set fire to. He kept reading until it had to be extinguished… I was struck by the poetry as well as the flames…”