Flipped Interview with Harry James Angus

“One negative aspect of being a male jazz musician is that sometimes people will hire you just to fulfil a quota of males that they think they need to have in the group (usually 100% is the quota). I think people should be hired based on talent and merit rather than on the basis of their sex, and it kind of sucks when you realise you’re only in the group because you’re a bro.”

Flipped Interview with James Bowers

“Whilst I certainly do have my share of punters coming up to me after shows and expecting me to care about whatever topic they’ve decided we are now going to talk about, it’s probably better than the common alternative that women face of that same bloke giving me a full, unprompted critique of my personal appearance. So, I guess that’s good. It’s also pretty nice having crew/tech not just assume I have no idea what I’m doing.”

Jazz in Adelaide: Reminiscing about the Cellar and the Creole Room

“We immediately moved an initially serviceable, hired, upright piano from the cellar beneath Bill Ross’ parents’ home to the new club; but, because we managed to drop it from about halfway down the stairs to the bottom, it was then deemed no longer serviceable by its owner. “Written off” – and therefore now rent-free – the piano was actually in reasonable shape. It held its tune reliably; and it never left the Cellar until the club finally closed its doors in the early ’70s.”