Gigs and concerts

Koi Kingdom: “We’ve had to adapt our friendship to a working relationship”

“We’ve made a conscious decision to compose freely in this band, not feeling restricted by genre, just bringing whatever we feel like to the table. You can hear influences of Jazz, 20th Century Classical music, North India Classical music, South American music. With the instrumentation of the music and the mixed influences, you could very much describe it as a contemporary jazz band.”

Review: Mark Isaacs, solo piano extemporisations at Bird’s Basement

Upon first entering Bird’s Basement, I was immediately conscious of the crystalline sound of the piano, each unamplified note lingering in the space, untrammelled by its neighbours. The audience, in darkness, appeared hushed, as if intensely focused on the music: lyrical, melodic and restrained. As I was drawn into this music, I was conscious of its fragile delicacy, as Mark Isaacs mined the upper register, unafraid of summoning sheer beauty from his instrument.

Barney McAll: “Music is a guide for society”

“I am presenting this music with a great amount of respect, because the thing that I realized is that there are really magnificent composers who only write for the church and are thus not really known – particularly Doris Akers is a very strong composer in different styles and few people in Australia has heard of her,” says Barney McAll

Harry James Angus talks about his soul-jazz-gospel album project on Greek mythology

“To me, Theseus and Minotaur is a story about masculinity and a story about a cycle of fear and anger and rejection that fathers pass on to their sons that perpetuates bad things in society, like sexual abuse and violence. I see the Minotaur as a classic example of a child who wasn’t given the tools to be a good person in life regardless of the fact that he had the head of a bull.”

Elysian Fields – The Scandinavian Project

Jenny Eriksson: “Elysian Fields have several Scandinavian connections. Matt Keegan studied in Sweden, vocalist Susie Bishop sings fluently in Swedish and bass player Siebe Pogson is 1/8th Swedish. We’ve been doing covers of Scandinavian jazz artists almost from the start. Since Susie Bishop joined us we’ve added some Swedish folk songs. We’ve given Matt McMahon honorary Swedish citizenship, so he does not feel left out!”