In his liner notes (notes worth the price of admission in themselves), NYC based pianist Barney McAll – no slouch in the ‘daring’ department himself – says, ‘(Keller) has been blending memories, sonic pictures, Bartók, Shorter and an immaculate classical technique to ensure her trajectory could never disappoint. Andrea is a serious inventor.’
This is Williamson’s eighth album since 2001’s wonderfully-named Non-Consensual Head Compression and, as well as being an obvious evolutionary step, it is a beautiful thing.
APRA (Australasian Performing Right Association) and the AMC (Australian Music Centre) are proud to announce the finalists for the 2013 Art Music Awards, an event which celebrates the outstanding achievements of composers, performers and educators in the dynamic fields of contemporary classical, jazz and experimental music.
‘The bass clarinet is perfect in combination with soprano saxophone. With these two, you can do everything. I play other instruments but they are my favourites.’
With both Bernie McGann and Andrea Keller playing tonight at separate gigs, as part of the Melbourne International Jazz Festival, this seemed like a good video to share on a Friday!
Barney McAll’s Graft is a suite of music that looks at technology and the bizarre affect it is having on human connection. It is a wild musical sound painting reflecting the ever increasing ambiguity between virtual and real.
Welcome to Jazz Australia’s second series of Q&A interviews with finalists in the National Jazz Awards, which will be announced at the 2006 TAC Wangaratta Festival of Jazz. This year the National Jazz Awards feature Piano, for the first time since 1999. At the finals, to be held in Wangaratta in the first weekend of …