I have had the good fortune to make it to Jazz in Marciac a number of times, including 2019. This is some of what I experienced in the Chapiteau.
A cohort of inspired, inspiring women took to the stage, one by one sending out a War Cry, singing songs of Nina Simone and Abbey Lincoln and Sharon Jones – along with their own originals, all songs that describe what it means to struggle, to fight back, to do your bit to create social change, one note at a time, one verse at a time.
There were over 70 performances to choose from, so even without the big international names in the line-up, it was outstanding value for pass holders. The tightly packed schedule meant catching complete sets was the biggest challenge.
” This year’s Festival program was put together smartly by Jazzgroove to get all the flavours of jazz rubbing up against each other and to pleasantly jolt by contrast.”
Over the 10 day duration of the festival I’d encountered orthodox jazz rhythms, experimental jazz and music that you could argue was not jazz at all. Had I selected a different schedule of artists, I may have had a totally different festival experience altogether, such was the variety of shows on offer.
“Over an eleven day period, I’d seen a lot of jazz, a lot of great jazz. I missed a lot too, such is the extent of the festival’s program. ” Greg Phillips gives us a considered overview of the textured 2014 Stonnington Jazz Festival
The most dynamic hub of the festival was to be found at the The Jazz Quarter in Brookfield Place. Three stages set amidst a thriving small bar scene encompassing several styles from some of our favourite locals.
This second Perth International Jazz Festival (PIJF) commencing Friday 9th and concluding Sunday 11th May seemed to be an unqualified success. If key indicators included engaging the populace, developing on last year’s inaugural festival, presenting a variety of styles and venues, presenting music more challenging and innovative than may be heard in Perth on a weekly basis then all boxes could be ticked.