There were over 70 performances to choose from, so even without the big international names in the line-up, it was outstanding value for pass holders. The tightly packed schedule meant catching complete sets was the biggest challenge.
It was a high-energy performance, one that had your feet tickling and wanting to burst into swing-dancing or, at times, making your soul let go and follow the smooth flow of notes. Just what one needs on a rainy night in Melbourne!
” This year’s Festival program was put together smartly by Jazzgroove to get all the flavours of jazz rubbing up against each other and to pleasantly jolt by contrast.”
Over the 10 day duration of the festival I’d encountered orthodox jazz rhythms, experimental jazz and music that you could argue was not jazz at all. Had I selected a different schedule of artists, I may have had a totally different festival experience altogether, such was the variety of shows on offer.
“Over an eleven day period, I’d seen a lot of jazz, a lot of great jazz. I missed a lot too, such is the extent of the festival’s program. ” Greg Phillips gives us a considered overview of the textured 2014 Stonnington Jazz Festival
The most dynamic hub of the festival was to be found at the The Jazz Quarter in Brookfield Place. Three stages set amidst a thriving small bar scene encompassing several styles from some of our favourite locals.
This second Perth International Jazz Festival (PIJF) commencing Friday 9th and concluding Sunday 11th May seemed to be an unqualified success. If key indicators included engaging the populace, developing on last year’s inaugural festival, presenting a variety of styles and venues, presenting music more challenging and innovative than may be heard in Perth on a weekly basis then all boxes could be ticked.