A crash course in the history of the saxophone, by jazz master Andy Sugg
“In her tunes, Kate is the band leader; in mine, I’m the leader. We have our own musical personalities; she’s as much a musical leader as I am.”
“I’m a senior player, but I don’t think retrospectively, because for me it’s still like I’m in the middle of what’s going on. Things are still moving forward, I’m thinking of the future all the time – how can my playing improve, how can my ideas become more sophisticated, or how can I express it better.”
Recorded with two different Andy Sugg Groups in those two darkly glittering Gothams of jazz, New York and Melbourne, the eight tracks on Tenorness span the breadth of the tenors expression in modern jazz.
“Well, the level of communication is very high. We know each other’s styles so well that the music always comes together in uncanny ways. This is a real asset when the music has a lot of improvisation, as ours does. It’s basically a musical conversation happening at a very high level. This is what the best jazz really is all about.”
The band needs to be extraordinary to navigate Sugg’s remarkable compositions and bring them to vivid life – each tune is completely owned by the ensemble; the ensemble playing and solos leap from the speakers with a rush of blood and fire.
US sax giant Dave Liebman called Sugg ‘a dedicated warrior’ and throughout the album his tone and lines (restricted here to only soprano sax) are heroic as he leads his band through the music.
‘Andy Sugg is one of Australia’s most original, yet authentically evolved, post-Coltrane performers.’ – John McBeath, The Australian