Such is the range and span of colours and shifting scenes across Short Stories. That all of this can be expressed through the limited means of a jazz guitar trio – to all intents and purposes acoustic – is not only a measure of Panucci, Boneham and Waples’ creative mastery, but also of their vision.
The maker-or-breaker of course is in writing for the small ensemble. With such a limited musical palette of timbres and instrument capabilities, every decision has to count. Done badly, it can be turgid or insipid. To hit the sweet spot that is the intersection of composition, knowledge and vision, it helps to be a hell of a player, listener and thinker.
In the goldfish bowl of the Australian jazz scene this might be the sort of calculated risk that we need to see more of. All evolution needs diversity and the occasional short sharp shock to the status quo.
I once heard John Coltrane’s playing described as the sound of a ‘very large man crammed into a tiny room, shooting notes at the corners of that room.’ I have often though of that neat phrase when experiencing the playing of Sydney tenor colossus James Ryan…
Prior to publishing his review of Theseus and The Minotaur (Captain Kirkwood), John Hardaker asked Ellen Kirkwood some questions about the album and Here are her responses. 1. The most obvious first – why did you pick the legend of Theseus and the Minotaur for your debut release? This decision was mostly about practicality and …
In fact, on the band’s debut, Theseus and the Minotaur, Kirkwood has taken on a hell of an idea: the Greek legend of Theseus and his battle to the death with King Minos’ monstrous cannibal creature, the Minotaur. The band tell the story over five linked pieces, with narration by Ketan Joshi.
‘a strange and beautiful world conjured among the bricks and grime, the litter and the 7-11 stores’
US sax giant Dave Liebman called Sugg ‘a dedicated warrior’ and throughout the album his tone and lines (restricted here to only soprano sax) are heroic as he leads his band through the music.
John Hardaker | ‘…the writing and the playing have a lot of humanity – a lot of soul.’
That Galaxstare are capable of creating this huge, deep, wide, bottomless universe of music in a room on Cleveland Street using only bass clarinet, voice, accordion, bass and drums is astounding and humbling.