“I like to sing songs that have elements of politics, social condition, environmental issues, generally songs that reflect the human condition.”
Dan Tepfer: “Well, when we really commit to improvisation (the word literally means ‘unforeseen’), we commit to listening hard, with a certain kind of humility. We leave ourselves open to the spirit of discovery, to epiphanies that are specific to that moment in time.”
People say of Bill Frisell that he reinvented the way people think about the electric guitar. That’s possibly an understatement.
“We’re trying to convey the heart of Australia with dream-like sequences alongside landscape depictions and animal mimicry, and echoes of tribal lores, drawing on a myriad musical influences and aiming to create a unique and authentic soundscape.”
“SUM is me, who I am as an artist and human being; it has my flaws and strength,” says drummer and composer Steve Belvilus, talking about the signature soul-jazz-RnB sound he has created.
Gaby Moreno is back in Australia, and anyone already exposed to her captivating voice and stage presence are already excited about it. Equally mesmerising whether she sings old jazz and Tin Pan Alley tunes next to Hugh Laurie, or the David Bowie Songbook – not to mention her signature ‘Spanglish Folk/ Soul’ songs – the …
“Accordion, cello and guitar are instruments that all play a melody, so we often switch up who backs who. It’s very transformable. We don’t feel like there are any limitations. Except that as people, we love to play music outside but actually can’t stand the rain or the sun (laughs). That’s about the limits of our art, the weather.”
“Our string section is much more than just a lush carpet of sound. They interact and improvise with the rhythm section and combine melodic structures with our vocalist and saxophonist.”
“My singing has helped me to create more lyrical stories when I’m playing the piano. Instrumentalists cancertainly get comfortable running changes, and singing has really taught me to slow down and be more aware of melody.”
We play big, honking sets and we wanted to recreate that as much as possible in the studio.