SIMA Suite a fine finale to Nock’s 2012: Phil Sandford interviews Mike Nock

‘That’s the thing about this music,’ Nock adds, ‘you can’t just write it without the musicians. It’s who you’re writing for. One of the things that I am really trying to do with the piece is to show that it is a living music in that it depends on the people playing it.’

CD Review: Mace Francis New York Nonet – Land Speed Record

John Hardaker | ‘…the writing and the playing have a lot of humanity – a lot of soul.’

CD Release: Cosmontology (Dave Jackson Quartet)

“It’s great to hear Dave and Sean playing so well with such a good NY rhythm section. The music is very impressive in the best way… it’s another step up for Australian jazz.” – Mike Nock If you would like to review this CD for jazz-planet, please contact us!

Bob Barnard’s Jazz Scrapbook: a pictorial memoir

…memorabilia, anecdotes, people, places… this collection gives an intriguing insight into the life of one of Australia’s most famous trumpeters, and creates a sketch of the local jazz scene in the process!

Kewti – a taste of Adrian Sherriff’s bass trombone

Adrian Sherriff was one of our featured musicians in Issue 5 of the extempore journal. Here’s some music from Kewti – a group that Adrian’s […] Read More

John Clare on Wangaratta – Scott Tinkler: Fire And Thought

Exhilaration does not fade for those who are listening rather than assuming. It builds as the bricks seem to be stacked more rapidly to form more complex percussive patterns. Or are thrown one by one through the air.

Gyan Michael side stage

Billy the Rabbit (alive and singing)

‘Michael is a kind of visual jazz artist. He doesn’t like to be scripted; in fact he’s a bit of a daredevil. As much as you’d like to plan, Michael would rather walk a tightrope. We offer the scaffolding in that there’s a set list and there are opportunities for improvisation, where we veer away from song form and build a different type of picture.’

John Clare on Wangaratta – Phil Slater: Sun Music Song Book

‘The whole work was beautifully measured, finally showering us with brilliant sound and sensation. This was a triumph to be stored in memory…’