“Gary Daley has, across Sanctuary, gone for the primal and the spiritual – the earthy and the ephemeral – in almost equal balance.”
“Living in America is what drew my personality out completely. In the United States, they really celebrate the individual. It was an environment where I found myself unafraid to try things and really develop the music I was hearing in my head.”
“The key difference between my radio program and my work on stage is that my radio show is a jazz program and my live show repertoire is soul and disco influenced”.
“I think the hardest was getting over my insecurity that I was a bit of a fraud, that I was a pop singer masquerading as a jazz singer. Quite some time ago, I just gave up on the labels and decided I was a story teller… I found that quite liberating, it meant I didn’t have to conform to any preconceived notion of what a jazz singer should be.”
Adam Rudegeair: “I was more worried about what the ‘jazz police’ would think of the record than what the Bowie fans would think. Fortunately I’ve had a great response from both camps.”
Yet, despite the expanded palette of harmonies and timbres afforded by the larger band, Willis keeps a firm hand on the tiller throughout – his characteristic minimalistic and repetitive touches are all here, as well as the timbral and melodic surprises which playfully dent and scratch the sheen of his music.
Uptown Jazz Cafe celebrates its 7th birthday today, with an appropriately festive gig. Joining in the celebrations we thought of seven reasons that make this […]
Jamie Oehlers: “Everything we do is enveloped in the arts, from the music we hear on the radio, the television shows we watch, the community events that draw people together, the phone we put in our hand. Art is all around us and inspires new thought and communication. This is how we create an identity as a national – not through digging up coal.”
Angela Davis: “It has always been a dream of mine to record with strings – some of my favourite albums are ventures in jazz with strings; Art Pepper’s Winter Moon, Lee Konitz Strings for Holiday and Paul Desmond’s Desmond Blue. To me there’s something profoundly beautiful about the timbre of the alto saxophone blending with a string section.”