In a program of jazz, blues, a touch of hillbilly bluegrass and a dash of gospel, Dianne Cripps shared some of her experiences growing up in the South, regaling the audience with stories and explaining why particular songs were special to her.
Tag: Foundry616
It’s time to enjoy live intimate jazz from home and abroad at the 2020 Sydney International Women’s Jazz Festival.
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“With everything that’s going on in the world right now, I want my show to provide a little comfort, to help people feel good. I want to share that southern comfort with the audience.”
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“The greatest challenge is doing something different with standards that still feels natural. I think we achieved it on this album. We were very open and just tried to play like ourselves with no judgment.”
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When Mercer Ellington decided to keep his father’s orchestra alive, after Duke Ellington’s demise, he chose the word ‘Continuum’ for the title of the outfit’s first post-Duke recording. This is the word that constantly comes to mind, when I think of Vincent Gardner and Belinda Munro, who are touring Australia these days.
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“I’m not a big fan of the word fusion, because it feel binary to me, and I’m trying to achieve a sound that is multifaceted and fluid. And I think this sound reflects our world today, one which is increasingly more complex and interdependent”.
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Tim Rollinson’s ‘Nitty Gritty’ calls to mind John Scofield’s enormously successful Scofield Au Go Go of a few years back and in many ways comes from the same place: a love of groove and the improvisational ideas which flower from the deep earth of funk
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The Foundry 616 Harris & Mary Ann Streets, Ultimo, Sydney. 3 September 2014 Review by John Clare Walking from Glebe to the relatively new jazz […] Read More
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Article by John Shand Banner image Harry Sutherland Trio with guest Jessica Carlton. Photo: Scott Burgess. To say he polarises people could be a lame […] Read More
