When the decision was made to move to an all-online mode of delivery, the Festival reached out tokey organisations across the nation. What came back was unreserved enthusiasm, generosityand drive to make things happen.
“I’m trying to sing and put something good out into the world. I believe that when people do good,it becomes contagious like ripples in an ocean, and those ripples turn into waves. We just can’t get distracted to all the ugliness going on.”
“I wanted to do a tribute album, but I was very clear that it is not going to be just another cover of the original album. I have always wanted to record a sweet, clean, simplified but yet intricate rendition of the Nancy Wilson/ Cannonball Adderley album.”
“My Dad’s music was a statement against dictatorship, injustice, intolerance, and against the destruction of democracy. The music remains relevant to our time and current administration. That’s why it continues to be important.”
“Charlie Haden is a significant figure in 20th Century music and has been a huge influence on me throughout my career. The theme of songs of protest that we are presenting at the festival also fits well with Haden’s music we will be performing – LMO music inspired by the Spanish Civil war and the Cuban revolution amongst others, as well as some Australian songs of protest by the likes of Midnight Oil and Archie Roach.”
“Like all art, the poem creates a space of its own and it is from within that space that it has inspired other artists of all kinds, including (lucky for us) Allan Browne and via him, the Allan Browne Quintet.”
2012 Bell Awards announced
I snuck this CD on one night when friends were sitting in the backyard. No fanfare, no announcement. I was curious to see what effect, if any, the music might have on the listeners, a couple of friends with great ears and a love of fine music.