Two interviews with Marc Hannaford who is currently touring Australia with his New York Trio. In the first one, the brilliant pianist talks about his life in New York, and his current musical pursuit. In the second, he remembers his trio with Allan Browne and Sam Pankhust, documented in the album Monday Dates.
Phil Treloar takes it from there, his playing a way to clarify things, put them in order and into perspective.
Live (Jazzhead) Paul Williamson Quartet Review by Samuel Cottell Trumpeter Paul Williamson has an incredible ability to create diverse musical landscapes with other performers. His previous album, […]
20Up sees the AAO return to the place of its first concert: the Malthouse Theatre in Melbourne. A total of twenty-five musicians will perform a range of works from Ringing the Bell Backwards, the first work written for the AAO by Founding AD Paul Grabowsky which premiered at Malthouse in 1994; Passion, which is the AAO’s take on Bach’s St Matthew Passion; Testimony, Sandy Evans’ extraordinary tribute to Charlie Parker; Struttin’, Eugene Ball’s impressionistic take on Louis Armstrong, and a brand new commission from young composer, Austin Buckett called Virtuoso Pause.
Houle and long-time collaborator Yedid will be joined by bass player Sam Pankhurst to perform Yedid’s composition Myth of the Cave which Houle and Yedid recorded together over ten years ago for the German ‘between the lines’ label.
This album is both intellectual and exciting, earthy and ethereal. The sheer quality of the playing is overwhelming. I sincerely hope that Melbourne continues to embrace the tradition that has evolved around Browne and his disparate associates.
Allan Browne, poet that he is, holds the art of space: not just knowing what to say and when to say it but knowing what not to say and when not to say it.
lost in the stars | allan browne trio Released June 2013 on Jazzhead From the media release The Allan Browne Trio with Marc Hannaford and […]
Phil Treloar reviews Sarcophile in his Recollections Twelve | here and now of Hannaford, Pankhurst and McLean – ‘This music pays tribute to the jazz tradition but in no way competes with it. Nor does it emulate.’
“The idea of ‘first chapters’ – short little narrative gestures that leave you hanging for more – ties in nicely with my recent resolution to write shorter pieces. With this in mind I was able to create ten short unrelated pieces corresponding to each of what I call the ‘narrative chapters’.”