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Author: Loretta Barnard

Reviews, Sydney Jazz Posted on11 September 202111 September 2021

REVIEW: Keyna Wilkins’ crossover projects

With these two recent albums, one solo piano, another an ensemble project, Keyna Wilkins shows something of her style and musical imagination.

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Reviews Posted on7 February 2021

Elsen Price’s phantasmagorical world of soundscapes

“Playing double bass and electric bass, Elsen Price invites us to join him as he rides the rivers, enters the woods, explores luminescent caverns and encounters freakish bees (buzzing included) in what could easily be categorised as eight mini-suites, each of three movements.”

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Gigs and concerts, Reviews Posted on10 December 202018 December 2020

Dianne Cripps revisits Southern Comfort: ‘Mama always told me to sing with joy’

In a program of jazz, blues, a touch of hillbilly bluegrass and a dash of gospel, Dianne Cripps shared some of her experiences growing up in the South, regaling the audience with stories and explaining why particular songs were special to her.

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Interviews Posted on24 November 202026 February 2021

Caroline Buckingham: ‘I am TOO invested in the Butchers Brew program – I want to see everything!’

“I wanted Butchers Brew Bar to be in Dulwich Hill as I’d been living here for 20 years and while I loved the area, there was very little to do here at night.”

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Reviews Posted on9 July 202010 July 2020

Elysian Fields invite people to come together with ‘Fika’ [REVIEW]

“[Elysian Fields’] aim of creating a beautiful recording has well and truly been achieved, and once our lives return to some semblance of normality following the emergence of the virus that has shaken the world, ‘Fika’ will indeed bring people together.”

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Interviews Posted on29 February 2020

Dianne Cripps presents Southern Comfort: ‘It’s not just barbecue sauce’

“With everything that’s going on in the world right now, I want my show to provide a little comfort, to help people feel good. I want to share that southern comfort with the audience.”

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Reviews Posted on12 October 201917 October 2019

Elysian Fields live: delicate melodies and fat grooving tunes

But of course, this is a band overflowing with imaginative musicians. Jenny Eriksson’s electric viola da gamba is the anchor around which the good ship Elysian Fields sails. She was clearly enjoying herself onstage, relaxed and on fire.

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Concerts and tours, Festivals, Interviews Posted on20 May 201920 May 2019

Vince Jones: ‘I have a Jekyll and Hyde approach to singing’

“I like to sing songs that have elements of politics, social condition, environmental issues, generally songs that reflect the human condition.”

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Concerts and tours, Festivals, Interviews, Profiles Posted on25 April 2019

Bill Frisell: ‘my own true voice is the guitar’

People say of Bill Frisell that he reinvented the way people think about the electric guitar. That’s possibly an understatement.

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Album Releases, Gigs and concerts, Reviews Posted on20 March 2019

Review: Elysian Fields – ‘What Should I Say’

Elysian Fields is a seamless combination of old and new, composed and improvised, experimental and planned, intuitive and calculated. The result is like a thick winter blanket: warm and beautiful.

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Australian Jazz: the playlist (work in progress)

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Top-10

  • Belinda Munro: "The stage is where I feel most comfortable"
    Belinda Munro: "The stage is where I feel most comfortable"
  • Flora Carbo: 'I am striving for total honesty'
    Flora Carbo: 'I am striving for total honesty'
  • Torrio! 'There are three of us and anything goes'
    Torrio! 'There are three of us and anything goes'
  • Omid Shayan: 'Creation is hard and it hurts, but the result can be life-changing'
    Omid Shayan: 'Creation is hard and it hurts, but the result can be life-changing'
  • Asha Henfry: "I can play soaring melodies one minute and grungy rhythms the next"
    Asha Henfry: "I can play soaring melodies one minute and grungy rhythms the next"
  • Kristin Berardi: 'The reason I make music is to hopefully move people'
    Kristin Berardi: 'The reason I make music is to hopefully move people'
  • REVIEW: Tim Willis & The End – Night and Day
    REVIEW: Tim Willis & The End – Night and Day
  • REVIEW/  Adam Rudegeair - The Bowie Project 2: It's Always Time
    REVIEW/ Adam Rudegeair - The Bowie Project 2: It's Always Time
  • Harry James Angus talks about his soul-jazz-gospel album project on Greek mythology
    Harry James Angus talks about his soul-jazz-gospel album project on Greek mythology
  • Flipped Interview with Harry James Angus
    Flipped Interview with Harry James Angus

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3 Questions Allan Browne Andrea Keller Arjun von Caemmerer Barney McAll bass Bernie McGann Bird's Basement Chris McNulty Eugene Ball Gian Slater Jamie Oehlers Jazz on Lockdown Jeremy Rose JMI live John Clare John Hardaker John Shand Jonathan Zwartz Julien Wilson Kristin Berardi Mace Francis Marc Hannaford Matt McMahon melbourne international jazz festival Melbourne Recital Centre MIJF Mike Nock NJA Paris Cat Jazz Club Paul Grabowsky Peter Knight Phil Slater Sam Anning Sam Keevers Sandy Evans Saxophone Scott Tinkler SIMA Simon Barker Stephen Magnusson Stonnington Jazz The Jazz Lab voice Wangaratta Festival of Jazz and Blues

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Tags

3 Questions Allan Browne Andrea Keller Arjun von Caemmerer Barney McAll bass Bernie McGann Bird's Basement Chris McNulty Eugene Ball Gian Slater Jamie Oehlers Jazz on Lockdown Jeremy Rose JMI live John Clare John Hardaker John Shand Jonathan Zwartz Julien Wilson Kristin Berardi Mace Francis Marc Hannaford Matt McMahon melbourne international jazz festival Melbourne Recital Centre MIJF Mike Nock NJA Paris Cat Jazz Club Paul Grabowsky Peter Knight Phil Slater Sam Anning Sam Keevers Sandy Evans Saxophone Scott Tinkler SIMA Simon Barker Stephen Magnusson Stonnington Jazz The Jazz Lab voice Wangaratta Festival of Jazz and Blues

Top – 10

  • Belinda Munro: "The stage is where I feel most comfortable"
    Belinda Munro: "The stage is where I feel most comfortable"
  • Flora Carbo: 'I am striving for total honesty'
    Flora Carbo: 'I am striving for total honesty'
  • Torrio! 'There are three of us and anything goes'
    Torrio! 'There are three of us and anything goes'
  • Omid Shayan: 'Creation is hard and it hurts, but the result can be life-changing'
    Omid Shayan: 'Creation is hard and it hurts, but the result can be life-changing'
  • Asha Henfry: "I can play soaring melodies one minute and grungy rhythms the next"
    Asha Henfry: "I can play soaring melodies one minute and grungy rhythms the next"
  • Kristin Berardi: 'The reason I make music is to hopefully move people'
    Kristin Berardi: 'The reason I make music is to hopefully move people'
  • REVIEW: Tim Willis & The End – Night and Day
    REVIEW: Tim Willis & The End – Night and Day
  • REVIEW/  Adam Rudegeair - The Bowie Project 2: It's Always Time
    REVIEW/ Adam Rudegeair - The Bowie Project 2: It's Always Time
  • Harry James Angus talks about his soul-jazz-gospel album project on Greek mythology
    Harry James Angus talks about his soul-jazz-gospel album project on Greek mythology
  • Flipped Interview with Harry James Angus
    Flipped Interview with Harry James Angus

OUT OF THE PAST

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