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Jeremy Rose talks about ‘Within & Without’

I love guitar, it has the ability to convey an incredibly rich range of textures and sounds, and has a history of amazing players. However, when I choose collaborators, it is often based on the individual: Lionel Loueke and Kurt Rosenwinkel are both unique voices on their instruments, and aesthetically, I felt they were a great match for the respective projects I was working with.

Jennifer Salisbury: “If I am contemplating the experience of another and I feel deeply about it, I can have a tune pop up”

I have always loved horns and a big band sound so I wanted to inject that into the project. I also had to have piano because of the colour it provides. I was looking for a slightly theatric bent as well.

Harry Mitchell: “Perth is a really unique environment for young people playing jazz”

“I wanted to surround myself with musicians that made me want to play. I would have been happy just to sit back listen to them play together in that setting. Apart from how easy I find it to make music with them, they all have strong personal voices and I wanted them to put their own mark on my tunes, which they did”.

Jazz by the Bay goes global in 2017

This year’s headliners include Eclectic young Singapore band The Steve McQueens; three musicians from the legendary Buena Vista Social Club orchestra teaming up with popular Perth jazz crooner and musician Adam Hall with the Velvet Playboys; UK-based jazz singer and recording artist Karen Lane with her four-piece band, and festival favourite the vivacious Cathrine Summers.

Roxy Coss: “The lack of female representation in Jazz is hurting us all”

“My role, my job, is to make the best music I can possibly make. Be the best me, create the art I am supposed to put out into the world. I hope this will serve as a positive example for younger female musicians, because right now they don’t have very many examples to follow. I also hope this serves as an example to my male counterparts and younger male musicians of what a successful female musician can look like.”

AUDITIONS OPEN: Jazz Music Institute, Brisbane

“Due to [JMI’s] small size, every student is known by each and every faculty member and receives continuous personal mentorship – which is not possible at a large institution. The JMI classroom and performance space ‘incubator’ reminds me of my days on Woody Herman’s band, traveling every day on the bus, surrounded by great, more experienced musicians, seriously listening, discussing and playing music night and day. JMI is that kind of growth environment and it shows in the competency of your graduates” – John Riley, Internationally acclaimed drummer, publisher, educator, lecturer at Manhattan School of Music (NY).