“Nancy Wilson’s tone, phrasing and interplay with the band on that record had a huge impact on me as a musician. After going deep into those tunes, I think that it’s allowed me to approach my own music in a different way, particularly how I tell my stories through song.”
“Rhonda Burchmore has the audience in the palm of her hand – it’s truly magical. I often have to pinch myself to come back down to earth when she sings a ballad – it’s one of the most special pleasures to play ballads as a duet with her.”
“There is something musical about the way Gerald Murnane writes about Australian landscape, it’s an interesting place to compose music from,” Peter Knight says.
A cohort of inspired, inspiring women took to the stage, one by one sending out a War Cry, singing songs of Nina Simone and Abbey Lincoln and Sharon Jones – along with their own originals, all songs that describe what it means to struggle, to fight back, to do your bit to create social change, one note at a time, one verse at a time.
“I love sitting in the middle of Darryn and Kim when they talk about musical experiences theyve shared from times before I was born, soaking everything up like a sponge, to the point that it feels like I was there too!”
Following thousands of jazz events taking place in 195 countries around the world, International Jazz Day 2019 came to a thrilling closein Melbourne, Australia with an extraordinary All-Star Global Concert at Melbourne Arts Centre’s renowned Hamer Hall.
Elysian Fields is a seamless combination of old and new, composed and improvised, experimental and planned, intuitive and calculated. The result is like a thick winter blanket: warm and beautiful.
“When you are finding it a struggle as a woman in the jazz scene, try talking to other women about it. Look to history, to the female composers and performers who continued to pursue their dreams and rose to the top of their field despite the many difficulties they faced.”
“In Bridge of Dreams, the collaboration between myself, Shubha and Aneesh was at the core of the creative process. I am not in any way expert in Hindustani music – they are! They generously share their knowledge, are willing to experiment, trust, take risks, and allow me to use my instincts to shape and recontextualise the musical materials they offer. “
“I set out with the goal to make a standard jazz trumpet quartet album, but my intention from the beginning was to fail, and in that we succeeded far better than I hoped. The result is something pretty special and I feel proud to call it my own music!”