“I think the best kind of award is the one you can’t give. It’s the one that you get from being intimate with music. The award comes when you listen and the hair on the back of your neck stands up, your skin shivers with ecstasy, you cry because there can’t be anything more beautiful than this right now. Anyone who can hear is capable of winning that award, all they have to do is listen.”
“We definitely have a sound that draws from heavy rock music and certain aspects from ambient music too. A lot of the pieces on the album have their own characteristic and mood about them; some are definitely more folk sounding, whilst others can be very raw and aggressive, and then others have a sort of ‘chamber ensemble’ sound about them. It’s not a straight-ahead jazz group by any means.”
“In no way did any of us want to honour or glorify the concept of war, so we were quite burdened with the seriousness of the task at hand: honouring historical happenings and putting a voice to these concepts and people’s experiences from this time”.
“I feel that I now have the expertise, musicality and understanding of what could be described as ‘groundbreaking’ as part of my role as a performer and academic.”
“There’s a lot of freedom working alone, and although the same can be said for working with others, the amount of freedom hinges on whether it’s improvised alone or with a group, or if the goal is for it to be through-composed or not, and if that composition is written by myself or collaboratively”
“The nonet is the ideal mix of the intimacy of small group jazz with the compositional scope afforded by a big band or larger ensemble. It’s hard swinging small group jazz with the force that you get from six horn players.”
“Living in America is what drew my personality out completely. In the United States, they really celebrate the individual. It was an environment where I found myself unafraid to try things and really develop the music I was hearing in my head.”
“The key difference between my radio program and my work on stage is that my radio show is a jazz program and my live show repertoire is soul and disco influenced”.
“I think the hardest was getting over my insecurity that I was a bit of a fraud, that I was a pop singer masquerading as a jazz singer. Quite some time ago, I just gave up on the labels and decided I was a story teller… I found that quite liberating, it meant I didn’t have to conform to any preconceived notion of what a jazz singer should be.”
Adam Rudegeair: “I was more worried about what the ‘jazz police’ would think of the record than what the Bowie fans would think. Fortunately I’ve had a great response from both camps.”