“Everything I write has an element of jazz in it. It’s a flavour, it’s spice, it’s warmth, it’s colour that no other music can give. Jazz is probably what I’ll still be able to do if I ever lose some of my other faculties.”
“This is a very gentle album were releasing and its a gentle sounding ensemble. I dont believe I would have been writing this kind of music, or certainly an albums worth and more of this kind of music, if it hadnt have been for having kids. Partly it came about from sheer tiredness.”
“The fact that I’m interested in his music should come as no surprise, as he is a truly great songwriter, and most jazz musicians love great songs. The only difference between Dylan and say Jerome Kern is the musical and lyrical structure of Dylans work, which tends to narrative and abstraction, often in strophic form. But there are plenty of examples of more lyrical songs as well.” ‘Just Like a Woman’, ‘Lay, Lady Lay’, ‘Forever Young’, ‘Don’t Think Twice’, ‘It’s all over now, baby blue’…the list goes on and on.
To be Canadian is to be a mix of cultures from around the globe, and thats exactly what our jazz music is. For me, at least.
” I think my stage persona is just a more magnified version of myself. It’s important for me that the audience feel connected and involved. I don’t just want to sing ‘at’ them. I like having a bit of a chat…and yes, sometimes the chatter does get a little cheeky, but I don’t think the audience mind! If the audience are at ease, relaxed and happy…then so am I! It’s also about the songs. Each song has a story…I love being the storyteller.”
“My role, my job, is to make the best music I can possibly make. Be the best me, create the art I am supposed to put out into the world. I hope this will serve as a positive example for younger female musicians, because right now they don’t have very many examples to follow. I also hope this serves as an example to my male counterparts and younger male musicians of what a successful female musician can look like.”
Few band names can be as accurate in describing their sound and overall attitude as ‘Cookin’ on 3 Burners’. Melbourne’s sizzling organ trio has been handing out grooves for two decades now, with no intention of slowing down. Just before hitting the stage of Howler, where they’ll perform alongside Craig Charles (a legend in his …
“When the Simon & Garfunkel project came into being I had long been in awe of Olivia Chindamo’s mastery of vocal improvisation, and she was my immediate choice for the second half of the duo.”
“The big band orchestration is genius. The instrumentation of five saxes/woodwind, four trombones, 4-5 trumpets and a four – piece rhythm section results in literally countless and millions of different compositional formulas that will never be exhausted, even if every composer in the world was to write for the next thousand years.”
“We’re seeing more women artists in jazz, but perhaps not at the rate we’re expecting. I think one of the biggest challenges is to encourage young players to pursue music at a tertiary level and beyond.”