There are not many singers around whose name is always mentioned alongside Aretha Franklin’s and this is pretty much all anyone needs to know about Ann Vriend’s timbre, but you may know all that, already.
Nancy Ruth combines different elements – her classical training, her dramatic flair, her adventurous spirit, her sense of ‘duende’ – to create a sound where genres such as pop, jazz, flamenco and latin co-exist and dissolve into each other.
As both a trumpeter and composer, Chris Botti has established a reputation as a versatile musician in both jazz and pop music for his ability to fuse both styles.
Bringing together locals and visitors for its third year, theMarysville Jazz and Blues Weekendwill come alive on Friday 20 October – Sunday 22 October.The award-winning festival is set to celebrate music, food, wine, and community.
Featuring Earle’s original score played by his sizzling 7-piece band and an ensemble of eight of Australia’s most exciting dancers, ‘Self ‘follows the journey of a young artist as he grapples with the pressures and expectations of progressing through a volatile career in the arts.
From the ’20s to the ’60s, St Kilda venues ranged from grand ballrooms and dance halls to cabarets, coffee lounges and clubs. Some of the buildings were stunning examples of architecture, reflecting periods of Melbourne’s social and cultural wealth. They hosted major international artists of the era, as well as providing a hub to showcase local musicians and foster the emergence of new jazz styles.
Acclaimed jazz pianist and composer Tom OHalloran has received the Jazz Work of the Year award for Now Noise, an album composed for his group Memory of Elements (Moe), at the 2017 Art Music Awards
When Mercer Ellington decided to keep his father’s orchestra alive, after Duke Ellington’s demise, he chose the word ‘Continuum’ for the title of the outfit’s first post-Duke recording. This is the word that constantly comes to mind, when I think of Vincent Gardner and Belinda Munro, who are touring Australia these days.
Has Alice Coltrane ever been more relevant? Maybe in the ’70s, when she set up on her own journey, practically inventing the harp as a jazz instrument, while creating her signature modal/spiritual jazz sound. Spiritual jazz is, of course, the sub-genre du jour, at the moment, largely thanks to the unbelievable popularity of Kamasi Washington, who owes much to the Coltranes. But any DJ worth their turntables have been pointing to Alice Coltrane for the past decade or more, discovering the worlds that exist in her intricate weavings and sonic textures.
Jonathan Dimond said, “Tripataka is the playing field, the tester of protypes, and the practical vehicle that balances the theoretic research into the nexus between Western and intercultural composition and improvisation that I have been exploring since my earliest years of music-making.”