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Tag: Simon Barker

Gyan Michael side stage
Poetry and literature Posted on9 November 201217 February 2013

Billy the Rabbit (alive and singing)

‘Michael is a kind of visual jazz artist. He doesn’t like to be scripted; in fact he’s a bit of a daredevil. As much as you’d like to plan, Michael would rather walk a tightrope. We offer the scaffolding in that there’s a set list and there are opportunities for improvisation, where we veer away from song form and build a different type of picture.’

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Reviews Posted on8 November 201219 October 2014

John Clare on Wangaratta – Phil Slater: Sun Music Song Book

‘The whole work was beautifully measured, finally showering us with brilliant sound and sensation. This was a triumph to be stored in memory…’

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Festivals Posted on21 October 2012

Mark Dresser: on the serendipity of digital

A kind of serendipity has been at work to bring Dresser in touch with the Australian musicians he’ll be playing with at Wangaratta.

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Video Posted on12 October 2012

Vince Jones at The Basement 2009

A ten minute video of Vince and his band at The Basement in July 2009

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Video Posted on15 June 2012

Showa44 at the Wollongong Conservatorium, 9th of September, 2011

An improvisation by Simon Barker on drums and Carl Dewhurst on guitar

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Curated, Diaspora Posted on8 February 20121 February 2013

Daorum featured in Video about Lincoln Center, NY

“I was in Korea, at an Art Market and I saw the film, Intangible Asset Number 82, loved the film and then saw just a ten minute acoustic performance by Simon Barker and Bae Il Dong the Pansori singer and just fell in love with the project…”

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Features, Interviews Posted on7 February 2012

Marc Hannaford : Audio File / Audiophile

Marc Hannaford releases two digital recordings – a quintet release called ‘Ordinary Madness’ and a trio release ‘Sarcophile’. We ask him ‘why digital?’ and talk about the music…

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Features, Interviews Posted on8 June 201114 March 2013

Intangible artisan – a chat with Emma Franz

The story of Emma Franz’s debut film follows jazz drummer Simon Barker’s journey and describes his fascination with, and search for, the music of South Korean Shaman drummer Kim Seok-Chul, the Intangible [cultural] Asset No. 82 of the film’s title.

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