“I think a lot about balancing opposing elements in my pieces: planning/spontaneity, complexity/simplicity, density/openness, intellect/emotion. Music has a lot of scope for self-expression (emotions) and experimentation with ideas (intellect). This might be especially true of creative jazz. I think the dilemma over how much weight to give these potentially competing tendencies is an interesting aspect of writing and playing music. For me the ideal is both: music involving sophisticated ideas and a high level of craft that moves me.”
“Living in America is what drew my personality out completely. In the United States, they really celebrate the individual. It was an environment where I found myself unafraid to try things and really develop the music I was hearing in my head.”
“Firstly, I want to say a huge thank you to Peggy Glanville-Hicks and the Trust because it’s just so difficult to find a block of time to dedicate to music and this residency honors music and its great importance.” – Barney McAll
The unassailable advantage New York has over anywhere else in the jazz world is its concentration of highly skilled musicians playing together and pushing each other all the time.
Gemma Farrell is an Australian jazz saxophonist currently based in the Netherlands. From Perth, she studied at the Western Australian Academy of Performing Arts (WAAPA), before transferring to the Queensland Conservatorium. In 2009 she graduated with a Bachelor of Music with Honours, and then moved to the Netherlands in 2010 to study her Masters of …
Willow’s latest release Lightbulb Life has been in my headphones for the last few days. It’s a sound window into an exotic location, an insight into a city and its people through Willow’s ears.
“I feel like I have to get the song mapped out before I can give it that final brush stroke of the lyric… complete the panoramic vista.”
“I was in Korea, at an Art Market and I saw the film, Intangible Asset Number 82, loved the film and then saw just a ten minute acoustic performance by Simon Barker and Bae Il Dong the Pansori singer and just fell in love with the project…”
“The chromatic scale is not the easiest thing to do on a harp.”
Phil Treloar has contributed to past issues of extempore and his work can also be found on the Kimnara website. When we asked Phil if he’d like to contribute to our Top 5 | 2010 highlights, he instead sent us five new pieces from his Recollections series…