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Tag: Tilman Robinson

Award finalists, News Posted on31 July 201431 July 2014

Australian Art Music Awards finalists

From the media release The Australian Art Music Awards finalists have been announced. Among them (of course) are a number of Australian jazz musicians and […] Read More

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Festival Reviews, Festivals, News Posted on10 June 201410 June 2014

Festival review: Melbourne International Jazz Festival 2014

Over the 10 day duration of the festival I’d encountered orthodox jazz rhythms, experimental jazz and music that you could argue was not jazz at all. Had I selected a different schedule of artists, I may have had a totally different festival experience altogether, such was the variety of shows on offer.

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Album Releases, Reviews Posted on7 February 20148 February 2014

Album review: Network of Lines – (Tilman Robinson) by John Hardaker

Network of Lines is a work of ethereal and pure loveliness – albeit one with a red-blooded heart.

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Interviews Posted on1 March 201330 August 2020

MJFF APRA Commission – Tilman Tells All

Think big, dream large etc. This is an opportunity for you to stretch yourself creatively. Looking back at previous winners of the commission, we have all tried something very new to us and used the commission to test uncharted waters. The MJFF Commission is no place to play it safe.

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Album Releases, Reviews Posted on9 February 20139 February 2013

Album review: ECILA (Alice Humphries)

John Hardaker reviews ECILA | ECILA is a startling debut from an exciting new talent and a dazzling new ensemble. The gratifying part is that, here on their debut, we witness the beginning of a road that I truly hope will stretch far far into the future.

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News, Reviews Posted on5 December 2012

A response to Tilman Robinson’s Network of Lines ‘If on a winter’s night a traveller’

Don Jordan | Keep going, don’t look down, keep going, don’t look back, keep going – until it is too late and we are swallowed up in the inferno.

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Festivals Posted on29 April 2012

Tilman Robinson – ‘A Winter’s Night’ on an autumn afternoon

“The idea of ‘first chapters’ – short little narrative gestures that leave you hanging for more – ties in nicely with my recent resolution to write shorter pieces. With this in mind I was able to create ten short unrelated pieces corresponding to each of what I call the ‘narrative chapters’.”

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News Posted on1 May 2011

Review: The Exquisite Corpse of Beethoven: The Johannes Luebbers Dectet

The Exquisite Corpse of Beethoven is the second album from his dectet, and comes with the promise that it ‘walks the line between jazz, contemporary classical and popular music’, creating an exciting hybrid of the three.

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Australian Jazz: the playlist (work in progress)

Jazz for Beginners: An ever-expanding playlist

Top-10

  • Belinda Munro: "The stage is where I feel most comfortable"
    Belinda Munro: "The stage is where I feel most comfortable"
  • Flora Carbo: 'I am striving for total honesty'
    Flora Carbo: 'I am striving for total honesty'
  • Omid Shayan: 'Creation is hard and it hurts, but the result can be life-changing'
    Omid Shayan: 'Creation is hard and it hurts, but the result can be life-changing'
  • Asha Henfry: "I can play soaring melodies one minute and grungy rhythms the next"
    Asha Henfry: "I can play soaring melodies one minute and grungy rhythms the next"
  • REVIEW: Tim Willis & The End – Night and Day
    REVIEW: Tim Willis & The End – Night and Day
  • REVIEW/  Adam Rudegeair - The Bowie Project 2: It's Always Time
    REVIEW/ Adam Rudegeair - The Bowie Project 2: It's Always Time
  • Harry James Angus talks about his soul-jazz-gospel album project on Greek mythology
    Harry James Angus talks about his soul-jazz-gospel album project on Greek mythology
  • Flipped Interview with Harry James Angus
    Flipped Interview with Harry James Angus
  • Brian Jackson: "I hate that 'Winter in America' is  still so goddamned relevant"
    Brian Jackson: "I hate that 'Winter in America' is still so goddamned relevant"
  • Jazz in Adelaide: Reminiscing about the Cellar and the Creole Room
    Jazz in Adelaide: Reminiscing about the Cellar and the Creole Room

OUT OF THE PAST

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3 Questions Allan Browne Andrea Keller Arjun von Caemmerer Barney McAll bass Bernie McGann Bird's Basement Chris McNulty Eugene Ball Gian Slater Jamie Oehlers Jazz on Lockdown Jeremy Rose JMI live John Clare John Hardaker John Shand Jonathan Zwartz Julien Wilson Kristin Berardi Mace Francis Marc Hannaford Matt McMahon melbourne international jazz festival Melbourne Recital Centre MIJF Mike Nock NJA Paris Cat Jazz Club Paul Grabowsky Peter Knight Phil Slater Sam Anning Sam Keevers Sandy Evans Saxophone Scott Tinkler SIMA Simon Barker Stephen Magnusson Stonnington Jazz The Jazz Lab voice Wangaratta Festival of Jazz and Blues

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Tags

3 Questions Allan Browne Andrea Keller Arjun von Caemmerer Barney McAll bass Bernie McGann Bird's Basement Chris McNulty Eugene Ball Gian Slater Jamie Oehlers Jazz on Lockdown Jeremy Rose JMI live John Clare John Hardaker John Shand Jonathan Zwartz Julien Wilson Kristin Berardi Mace Francis Marc Hannaford Matt McMahon melbourne international jazz festival Melbourne Recital Centre MIJF Mike Nock NJA Paris Cat Jazz Club Paul Grabowsky Peter Knight Phil Slater Sam Anning Sam Keevers Sandy Evans Saxophone Scott Tinkler SIMA Simon Barker Stephen Magnusson Stonnington Jazz The Jazz Lab voice Wangaratta Festival of Jazz and Blues

Top – 10

  • Belinda Munro: "The stage is where I feel most comfortable"
    Belinda Munro: "The stage is where I feel most comfortable"
  • Flora Carbo: 'I am striving for total honesty'
    Flora Carbo: 'I am striving for total honesty'
  • Omid Shayan: 'Creation is hard and it hurts, but the result can be life-changing'
    Omid Shayan: 'Creation is hard and it hurts, but the result can be life-changing'
  • Asha Henfry: "I can play soaring melodies one minute and grungy rhythms the next"
    Asha Henfry: "I can play soaring melodies one minute and grungy rhythms the next"
  • REVIEW: Tim Willis & The End – Night and Day
    REVIEW: Tim Willis & The End – Night and Day
  • REVIEW/  Adam Rudegeair - The Bowie Project 2: It's Always Time
    REVIEW/ Adam Rudegeair - The Bowie Project 2: It's Always Time
  • Harry James Angus talks about his soul-jazz-gospel album project on Greek mythology
    Harry James Angus talks about his soul-jazz-gospel album project on Greek mythology
  • Flipped Interview with Harry James Angus
    Flipped Interview with Harry James Angus
  • Brian Jackson: "I hate that 'Winter in America' is  still so goddamned relevant"
    Brian Jackson: "I hate that 'Winter in America' is still so goddamned relevant"
  • Jazz in Adelaide: Reminiscing about the Cellar and the Creole Room
    Jazz in Adelaide: Reminiscing about the Cellar and the Creole Room

OUT OF THE PAST

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