Denson and James sign five of the album’s twelve songs, all works of exemplary craftmanship that deserve a place in the Australian Jazz canon (if there is such a thing). My personal favourites are the upbeat ‘Wild December Wind’ and the introspective ‘Maybe Tomorrow’ (I’m a sucker for 3/4 tunes); both perfect vehicles for Ingrid James to showcase her ability to convey real, almost tangible, emotions. You can feel her voice embracing and caressing you.
Month: October 2018
“I like to think of Pickpocket’s repertoire being groove based music with a strong emphasis on melodic development, interesting harmonic and rhythmic interaction and just enough improvisation to keep things fresh and interesting for both the musicians and the audience.”
“Kate Pass’ compositions and musical palette are far from mere exotica – in fact, the conversational mix of Western and Middle-Eastern music could not be more timely, with the current world schisms and tensions between the two cultures. To hear these voices side-by-side, talking and twining together is an almost political call for hope – one where neither side sees the other as ‘the other’.”
On ‘Any Last Requests’, Mark Lockett’s trio span well-loved standards, as well as hardcore jazz tunes – all with the variety, dexterity and telepathy that only a group forged in the NYC fire can. Each of the three brings everything necessary for three to become one, in aspiration and in execution.