This strange sense of yearning and of trying to capture the essence of a memory and understanding that memory is fallible and you can never really re-experience something as it was, I was interested in that and interested in the way that music can communicate that gradual decay of memory. So the piece is kind of about patterns and the decay of patterns, it’s about memory and the beauty of decay.
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“If you want to actually follow the tradition of jazz, you have to respond to your story and the place that you live in. Jazz has always been questioning and curious and absorbing other influences. And this is one of the most exciting things about being an Australian musician, being surrounded by lots of different cultures”.
Electroacoustic adventures created using the trumpet, flugelhorn, laptop electronics, amplifier and pedals. Allotrope is a new solo project from multidisciplinary Melbourne composer and trumpeter Peter Knight, released digitally
A sudden noise that wakes you in the night. A shadowy movement glimpsed down a darkened alley. The sensation that there might be someone in the room with you. Waiting. Conjured into life by Tamara Saulwick’s riveting solo performance and Peter Knight’s visceral score.
“Al got up from the drum kit and began reading from a book of poetry which he then set fire to. He kept reading until it had to be extinguished… I was struck by the poetry as well as the flames…”
… the hum, buzz, & electric crackle coalesce at times into the sounds of the everyday
“…this album features dual talents, in this case those of Peter Knight and Dung Nguyen, both members of Way Out West…”
“This would have to be one of the most unique recordings that I have encountered in recent times – a listening experience that once heard cannot be forgotten.” Read this review by Gerry Koster of The Wide Alley, a new CD from ten-piece ensemble including five Chinese musicians and local names Erik Griswold, Vanessa Tomlinson, Robert Davidson, Peter Knight and Adrian Sherriff…
Kim Myhr: “For me, when I approach the piece and the composition it is important that the audience doesn’t have a feeling that the musicians are just reading through a big score, but they are actually really present and making music. The score is just a score but the music happens in the room and in the space.”
The Creative Music Intensive residency, established in 2014, is a groundbreaking cross-cultural residency created by the Australian Art Orchestra, aiming to provide a unique professional development program for musicians from across Australia and Asia, fostering collaboration and dialogue in a meeting of cultures and practice